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Uwarunkowania produkcji oraz wewnątrz- i zewnątrz unijnego handlu wołowiną i cielęciną w Polsce

100%
Lewandowski R.
Problemy Rolnictwa Światowego
|
2006
|
vol. 15
PL
W artykule zaprezentowana została aktualna sytuacja i uwarunkowania na rynku wołowiny i cielęciny w Polsce w odniesieniu do zbliżającej się reformy WPR. Jest to najwyższy czas, aby podjąć rozmowy w sprawie przyszłego kształtu WPR z uwzględnieniem analizy czynników środowiskowych, socjalnych i ekonomicznych. Wstępne wyniki pokazują, że Polska posiada możliwości do produkcji wołowiny i cielęciny i oferowania jej na rynkach zarówno wewnątrz- jak i zewnątrz unijnych. Zasadniczym problemem jest kształt i wielkość wsparcia produkcji rolno- spożywczej w kontekście liberalizacji handlu międzynarodowego.
EN
This article presents the situation and conditions in the beef and veal markets in Poland relating to the new CAP reform. It is an opportune time to start a discussion about the future form of CAP on the basis of a wide environmental, social and economic analysis. The present overview shows that Poland has an opportunity to produce and promote its beef and veal products in the intra- and extra-EU markets. The main problem is the shape and value of support for agri-food products in the context of the international trade liberalisation process.
2
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The Apocryphal Nature of the Painting: Icons of St. Constantine and St. Helen in Anastenaria

100%
Lewandowski R.
|
2007
|
vol. 61
|
issue 2(277)
86-92
EN
Greek refugees from Bulgaria, who during the 1920s settled down in Greek Macedonia, brought over the ancient cult of the Anastenaria, a pagan ritual which merged the Christian holiday of St. Constantine and his mother, Helen. The presented text contains a description of the basic elements of the holiday in question, with special attention paid to the icon of the Anastenarides, traditionally described as the superior component of the cult. In this case, the iconic aspect was discussed in reference to studies dealing with the apocrypha, conducted by Prof. Wiesław Juszczak, as well as an account about similar objects in antiquity, The Apocryphal Nature of the Painting is an attempt at a new look at the icon,
3
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The Epiphanies of Bacchus

100%
Lewandowski R.
|
2007
|
vol. 61
|
issue 2(277)
74-74
EN
Bacchus-Dionysus, seen by A. Solomos in the mosaic of the church in Dafni, is depicted as an allegorical guide to the 'hidden theatre'. In the essay, the author presents the scientific and poetic work by the author of Saint Bacchus on unknown epochs in the Greek theatre from 300 BC to 1600 AD. In contrast to the West, which separates antiquity from the modern era, the East cultivates the continuum and development of the theatre. The Greek-Christian drama acts as a bridge linking the two epochs.
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