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Pieśni o tematyce maryjnej i patriotycznej w źródłach XX w.

100%
Garnczarski S.
Musica Ecclesiastica
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2017
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issue 12
55-75
XX
Polish religious Marian and at the same time patriotic songs, included in the sources of the twentieth century, are mainly focused on Mary Queen of Poland, whose sanctuary is located at Jasna Gora. Many of them were formed due to the establishment of the feast of Blessed Virgin Mary, Queen of Poland and Jasnogórskimi Vows of Nation. Among them are songs devoted entirely to patriotic thread (8) and those in which this thread appears only by chance, in some verses (50). The nature of the studied works for the most part is pleading, begging, and only in the few cases is praising. The titles addressed to Mary are mainly: Queen, Hetman, Lady or even in one case, Mary was described as the Chief. The requests are directed for the freedom of the homeland, peace, faith, health, happiness and prosperity. All these compositions in a more or less sophisticated form of art are a faith testament of their creators, and evidence of worship for Our Lady Guardian of Poland.
2
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Lauda Sion, Salvatorem Sequence and its Polish Translations in the Source Songbooks

100%
Garnczarski S.
The Person and the Challenges. The Journal of Theology, Education, Canon Law and Social Studies Inspired by Pope John Paul II
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2020
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vol. 11
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issue 2
219-253
EN
Research on the sequence Lauda Sion, Salvatorem dedicated to the Corpus Christi ceremony, allowed us to find and analyze over a dozen translations into Polish of this 13th century Latin pattern. It consists of 12 pairs of stanzas, with their parity – according to the poetics of the sequence – is emphasized by the conformity of a sound of the final verses of each pair of the stanza and the remaining verses are connected by adjoining rhymes, usually feminine, accurate, with aab + ccb scheme. We know most translators by name: Stanisław Grochowski, Jan Białobocki, Stanisław Serafin Jagodyński, Father Ignacy Hołowiński, Father Tadeusz Karyłowski, Jadwiga Gamska-Łempicka, Leopold Staff, several translations are anonymous. All Polish translations agree with the original on the content. However, differences appear in the form, structure of the poetic sequence, number of stanzas and in metrics. The common knowledge of the sequence Lauda Sion, Salvatorem, was probably the fruit of the great Eucharistic devotion in Poland, which was marked already in the 13th century, when the Church introduced the feast of Corpus Christi and lasted for the next centuries, up to the 20th century.
3
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KS. FRANCISZEK WALCZYŃSKI (1852–1937) – TARNOWSKI DZIAŁACZ MUZYCZNY

100%
Garnczarski S.
Musica Ecclesiastica
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2021
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issue 16
21-30
PL
Ks. Franciszek Walczyński zapisał się na trwałe w historii diecezji tarnowskiej jako gorliwy kapłan, sumienny nauczyciel i wychowawca, muzyk, kompozytor oraz niezmordowany działacz na polu religijnej muzyki. Wydawał książki i artykuły ascetyczno-homiletyczne, śpiewniki dla młodzieży, organizował zespoły śpiewacze, orkiestry, dyrygował nimi w katedrze i w innych świątyniach Tarnowa z okazji uroczystości religijnych i patriotycznych. Zainicjował powstanie Towarzystwa św. Wojciecha w Tarnowie, w jego ramach Studium organistowskie oraz warsztaty dla doskonalenia muzyków kościelnych z całej diecezji. Organizował koncerty charytatywne, a przy okazji wiele dzieł charytatywnych. Był prezesem Stowarzyszenia św. Filomeny i Domu dla Nieuleczalnie Chorych w Tarnowie.
EN
Fr. Francis Walczyński enrolled permanently in the history of the Diocese of Tarnów, as a zealous priest, a conscientious teacher and educator, musician, composer and tireless activist in the field of religious music. He published ascetic and homiletic books and articles, songbooks for young people, organized singing groups and orchestras, and conducted them in the cathedral and other churches in Tarnów on the occasion of religious and patriotic celebrations. He initiated the creation of the Society of St. Wojciech in Tarnów, as part of the Organist Studies and workshops for the improvement of church musicians from the entire diocese. He organized charity concerts, and many charity works. He was president of the Association of St. Philomena and the Home for the Terminally Ill in Tarnów.
4
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Sprawozdanie ze zjazdu Stowarzyszenia Polskich Muzyków Kościelnych

51%
Garnczarski S.
Musica Ecclesiastica
|
2014
|
issue 9
95-97
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