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DID SLOWACKI WRITE POEMS IN FRENCH? ON THE BEGINNING OF THE POET'S CAREER IN PARIS IN 1832 (Czy Slowacki pisal francuskie wiersze? O poczatkach kariery literackiej poety w Paryzu 1832 roku)

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Przychodniak Z.
Pamiętnik Literacki
|
2009
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vol. 100
|
issue 3
181-199
EN
The subject of the article is Juliusz Slowacki's literary activity in the first period of his stay in Paris (September 1831 - December 1832), after the collapse of the Polish November Insurrection (1830-1831), among the Polish émigrés and in the French communities (among others, his contacts with Marc-Antoine Jullien, the editor of 'Revue encyclopédique'). Slowacki prepares his literary debut ('Poezje' (Poetry), vol. 1-2, 1832), strives for his recognition by critics and considers writing in French. The aim of the paper is a description of the relation between Slowacki's literary pieces in Polish and in French (En s'éveillant nous suit de ses regards pensifs..., Le Roi de Ladawa, Béatrix Cenci) and an explanation of the reason of his failure in reaching a satisfactory literary position.
2

O dwóch nieukończonych wierszach egipskich z odnalezionego raptularza Juliusza Słowackiego

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Przychodniak Z.
Pamiętnik Literacki
|
2020
|
vol. 111
|
issue 4
125-147
PL
Odnalezienie notatnika pisarskiego z podróży Juliusza Słowackiego do Grecji, Egiptu i Palestyny (1836–1837) daje asumpt do nowych badań i rewizji tekstologiczno-edytorskich kilkunastu utworów poetyckich autora „Kordiana” i „Beniowskiego”. Najnowszy stan badań i układ odniesienia wyznacza trzytomowa publikacja zespołowa poświęcona rękopisowi („Raptularz wschodni Juliusza Słowackiego”. T. 1–3. Warszawa 2019). Przedmiotem rozprawy są dwa wiersze o tematyce egipskiej, zachowane w wersji brulionowej, nie wydane przez Słowackiego: [Rozmowa z piramidami] i „Pieśń na Nilu”. Nowe odczytanie autografów, skorelowane z kontekstową analizą rękopisu i refleksją krytyczną nad tradycją edytorską, prowadzi do nowych ustaleń interpretacyjnych i propozycji zmian filologicznego kształtu obu wierszy. [Rozmowa na Nilu] i „Pieśń na Nilu” tworzą swoisty „dyptyk grobowy”, stanowiący wraz z obejmującym pięć utworów cyklem [Listy poetyckie z Egiptu] niezwykle interesujący zapis doświadczenia egzystencjalnego i refleksji poetyckiej Słowackiego, snutej na kanwie wielkiej podróży na Wschód.
EN
The discovery of the literary journal from the travels of Juliusz Słowacki to Greece, Egypt and Palestine (1836–1837) allows to commence new investigations to and revise textological-editorial analyses of a dozen of the author’s lyrical works. The most current state of research and the frame of reference for the whole notebook can be found in the three-volume collective publication dedicated to the manuscript (“Raptularz wschodni Juliusza Słowackiego” <”Juliusz Słowacki’s Eastern Notebook”>, vol. 1–3, Warszawa 2019). The subject of this work are two Egyptian-themed poems, unpublished by the poet and available in manuscript only: [Rozmowa z piramidami] ([A Conversation with the Pyramids]) and “Pieśń na Nilu” (“A Song on the Nile”). The new reading of the autographs, correlated with a contextual analysis of the manuscript and the critical reflection on the editorial tradition, leads to a new interpretive proposals and a suggestions to change the philological shape of both texts. [Rozmowa z piramidami] ([A Conversation with the Pyramids]) and Pieśń na Nilu (A Song on the Nile) are a peculiar “sepulchral diptych,” and together with the series of five texts [Listy poetyckie z Egiptu] ([Poetic Letters from Egypt]), they form a truly fascinating record of the existential experience and poetic reflection of Słowacki, originated in his great Eastern journey.
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Józefa Korzeniowskiego próby i kolizje romantyczne Jeszcze raz o tragedii „Mnich”

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Przychodniak Z., Uniwersytet im. Adama Mickiewicza w Poznaniu I. F. P., zbiniak@amu.edu.pl
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2015
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vol. 27
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issue 1
EN
The object of this analysis is a drama by J. Korzeniowski from his time in Krzemieniec: a tragedy called “Mnich – The Monk” (1826, published in 1830). The piece, which depicts the last days of the king Bolesław Śmiały, is distinguished by many references to earlier theatrical and dramatical traditions (from antiquity and classicism to Shakespeare and Schiller’s works), which characterizes the early period of Korzeniowski’s creation. The author of “The Monk” seeks a new formula for the historical-religious drama, combining the historicism and picturesqueness with some elements of the medieval mystery play and psychological conscience drama. The paper also deals with the ambiguous reception of Korzeniowski’s early works by the Romantic writers, the culmination of which was a prominent rejection of “The Monk” by Maurycy Mochnacki, a decision motivated with his ideological convictions.
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UNUSUAL CASE OF A 'DESTROYED' MANUSCRIPT. ON SO-CALLED WARSAW MANUSCRIPT OF JULIUSZ SLOWACKI'S 'ANSWER TO 'PSALMS OF THE FUTURE'' (Polish title - below)

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Brzozowski J., Przychodniak Z.
Pamiętnik Literacki
|
2009
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vol. 100
|
issue 4
137-140
EN
(Title in Polish - 'Niezwykly przypadek 'zniszczonego' autografu. List o tzw. rekopisie warszawskim 'Odpowiedzi na 'Psalmy przyszlosci'' Juliusza Slowackiego'). The text tells about an exceptional case of Juliusz Slowacki's manuscript, i.e. the second manuscript of the poem Answer to 'Psalms of the Future' which survived in the collection of National Library in Warsaw, though in Slowacki's writings and bibliographies issued after World War II the text is qualified as destroyed in 1944. Correcting this information is an occasion to follow the poem's first and second manuscript editorial trials and tribulations in collected editions to date.
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