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Spojrzenie reportera a spojrzenie fotografa. O tomie Eli, Eli Wojciecha Tochmana i Grzegorza Wełnickiego

100%
Boczkowska M.
Rocznik Prasoznawczy
|
2014
|
vol. 8
111-120
EN
The author writes about the new book of Wojciech Tochman’s reports for which Grzegorz Wełnicki has made photos. She confronts two different looking on poverty and so called True Manila – excursions organized in Philippines. The role of photo in report has been underlined in the article also. The author appeals for Roland Barthes’s theory about punctum and studium in photo. In the text other feature has been emphasized – Eli, Eli is also the report autothematic, is the metareport. The author writes about moral dilemas in the work of reporter and photographer.
PL
Autorka opisuje, nie omawiany dotąd szeroko, tom reportaży Wojciecha Tochmana, do których fotografie zrobił Grzegorz Wełnicki. Konfrontuje więc dwa różne spojrzenia na problem biedy i tzw. wycieczek True Manila organizowanych na Filipinach. W artykule podkreślona została także rola zdjęcia w reportażu. Autorka odwołuje się przy tym do znanej teorii Rolanda Barthesa, mówiącej o punctum i studium zdjęcia. W tekście uwypuklona została i inna cecha tomu Eli, Eli, jest to bowiem również reportaż autotematyczny, swoisty metareportaż. Autorka pisze także o dylematach moralnych towarzyszących pracy reportażysty i fotografa.
2
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Opowieść transmedialna – znak naszych czasów

100%
Boczkowska M.
Postscriptum Polonistyczne
|
2014
|
issue 2(14)
125-137
EN
The article presents the so¬ called transmedia stories that have become more popular in the epoch of media convergence. Transmedia texts are the texts that tell their stories using different media, for example television, Internet or literature. Transmediality can be regarded as a kind of intertextuality. The author also presents several novels whose plot as well as other elements (for example fictive author) refer to popular TV series.
3
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Proza Katarzyny Tubylewicz

100%
Boczkowska M.
Tematy i Konteksty
|
2015
|
issue 5(10)
194-203
EN
The paper entitled ‘The prose of Katarzyna Tubylewicz’ is dedicated to the co-authoress of the anthology of the short stories Jestem mamą – zbiór prawdziwych historii o macierzyństwie, and the authoress of two novels: Własne miejsca (2005) and Rówieśniczki (2014), who some critics would like to see as the reviver of the so-called prose of the centre. The authoress of the article analyses the above-mentioned novels referring to – among other things – a discussion which took place in ‘Gazeta Wyborcza’, and which had been initiated by the famous manifesto entitled ‘Alice Munro would not stand a chance here’. Its authors demand that the literary critics should enter into a dialogue with popular literature and dispose of the misconception that literature written by women is worse. They are also for the revival of the prose of the centre, which – in their opinion – since Tokarczuk’s Prawiek i inne czasy has been missing.
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