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Rytmy ludzkie i rytmy świata na festiwalu sztuki mediów Cynetart

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Kłeczek J.
Panoptikum
|
2015
|
issue 14(21)
154-163
EN
The article describes the festival of computer-based art Cynetart as a place of artistic experiments with ‚rhythm of nature’. Artists which took part in the festival in 2015 were using matter of nature as an instrument of artistic expression. According to the author, performances and interactive installation which were presented in the festival are specific form of a continuation of Émile Jaques-Dalcroze’s and Adolphe Appia’s artistic experiments. Eurythmics and performance practice (which started in 1910 in the same place – Festspielhaus in Hellrau) invoke to eurythmics of Dalcroze and Appia’s conception of light in performing arts. Performances: Jymming by Tom Fritz, Eternal Cave by Gil Delindro and Plectrum by Kuai Shen, were also interpreted as a form of posthuman and ecological aesthetics.
2
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Nowe technologie w sztukach performatywnych na Ars Electronica 2014

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Kłeczek J.
Panoptikum
|
2014
|
issue 13(20)
197-203
EN
Article descrbes selected works of artist who use digital technologies in performative contexts.
3
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Testuj i kontestuj – wyzwanie performansu postmedialnego

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Kłeczek J.
Didaskalia. Gazeta Teatralna
|
2020
|
issue 155
1-8
PL
Małgorzata Dancewicz, Performans postmedialny. Współczesny kontekst technologiczny działań performatywnych, Oficyna Wydawnicza ATUT, Wrocław 2019
4
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Lokacje teatralne w cyfrowych grach fabularnych jako przyczynek do refleksji nad remediacją teatru w obrębie gier komputerowych

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Kłeczek J., Uniwersytet Adama Mickiewicza W. F. P. i. K., mgr Jakub Kłeczek — absolwent Wiedzy o Teatrze UAM w Poznaniu; doktorant Wydziału Filologii Polskiej i Klasycznej UAM; autor pracy magisterskiej „Teatr i gry cyfrowe wobec zjawiska remediacji”; w polu jego zainteresowań znajdują się remediacje teatru w obrębie nowych mediów t. g. f. L. i. c.
Replay. The Polish Journal of Game Studies
|
2014
|
vol. 01
EN
Digital games and theatre seem to have similar identity. This may be observed in similar art techniques used in both media. The aim of this paper is to demonstrate how theatre as a medium is represented in digital games. Analysis of selected games using theatrological methods shows the ludological problem of immersion in a new and interesting way. The subject of study is theatrical video game locations in Pathologic, The Path, Final Fantasy IX and The Elder Scrolls III: Morrowind. According to the author, analysing such locations is a good starting point for the discussion about the remediation of theatre and digital games.
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