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  1. 2 Musicologica Slovaca

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  1. 1 2014

  2. 1 2013

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  1. 2 Petőczová J.

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1

EVANJELICKÉ KANTORÁTY A. V. NA SPIŠI A ICH VÝZNAM PRE ROZVOJ RENESANČNEJ A BAROKOVEJ HUDBY

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Petőczová J.
Musicologica Slovaca
|
2014
|
vol. 5 (31)
|
issue 1
35 – 65
EN
The paper summarises the results of the most recent research on Lutheran church cantorates in Spiš/Zips in the 16th and 17th centuries. Besides resolving questions of terminology, the author considers the genesis of the Lutheran cantorates (development of musical education, influence of Leonard Stöckel) and also analyses the activity of two urban cantorates (Levoča/Leutschau, Spišská Nová Ves/Neocomium, Iglo, Neudorff). An emphasis is placed on the new findings connected with the existence of the religious musical corporation Fraternitas Litteratorum in Spišská Nová Ves. Particular attention is devoted to transcriptions of the unique musical repertoire in the Spiš Lutheran cantorates and the Central European music-cultural context.
2

KRITICKÉ EDÍCIE HUDOBNÝCH PRAMEŇOV (REFLEXIA PROBLEMATIKY V DIELE JOZEFA KRESÁNKA)

100%
Petőczová J.
Musicologica Slovaca
|
2013
|
vol. 4 (30)
|
issue 2
209 – 215
EN
The paper is devoted to Professor Kresánek’s scholarly work with one unique source, the manuscript Collection of Dances and Songs by Anna Szirmay-Keczer. He studied this source throughout his entire life, beginning with theoretical studies of the melodies in the collection’s dance and folklore material, continuing with ethno-musicological comparative analyses and fundamental music-historical research, and finally publishing a critical edition of the source, Melodiarium Annae Szirmay-Keczer (21983), which is a complex scholarly monograph, evaluating one music-historical source. Kresánek’s work placed the critical editions of the musical sources on a new, scholarly level. His researches were interdisciplinary and used the entire spectrum of music-historiographical methods (analysis, comparison, evaluation, source interpretation, aesthetic judgment). He generalised the experience gained in his work in his published guidelines Hudobná historiografia (Music historiography) (1981).
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