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Much ado about Chopin. Discussion in the Warsaw press from 1830

100%
Strzyżewski M.
Interdisciplinary Studies in Musicology
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2010
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issue 9
19-30
PL
During his Warsaw period, the music of the young Chopin was enthusiastically and even feverishly received. And it drew considerably interest from the critics. However, attention should be drawn to the crucial cultural factors that largely determined the quality of that critical reflection. Above all, this was a quite specific period in the history of the nation. The language o f criticism gives a fair reflection of moods in the country: growing patriotic emotions, freedom rhetoric and Romantic spirituality. Added to this, Polish music criticism (in contrast to German criticism) had yet to develop distinctive forms of discourse, but was still seeking a suitable language for the description of music. One may even gain the impression that music criticism was maturing together with the young virtuoso and offering a “youthful” discourse strung out between literary metaphor depicting the scale of listeners’ emotions and impressions and specialist description of playing and composition technique. One also notes a growing tension between “amateurs” and “professionals”, leading to polemic and discussion. It was a most interesting period in the history of Polish critical reflection, one which obliges the scholar to maintain a broad humanistic perspective over the many cultural phenomena of that time (philosophical, literary, artistic and political) which helped to forge the spirituality of Polish romanticism.
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Współczesne edytorstwo to złożona całość

100%
Strzyżewski M.
Wielogłos
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2012
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vol. 3
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issue 13
PL
CONTEMPORARY SCHOLARLY EDITING IS A COMPLEX ENTITY Scholarly editing is a highly desirable and practical discipline. Being essential to philology, it now exists in different cultural, technological, economic, and organizational conditions. Obviously, it is possible to separate quintessentially scientific issues from so-called technical problems. Such separation does not demand vast knowledge, which does not interest or concern us, and gives the opportunity to justify potential mistakes. If some scholars’ attitude towards scholarly editing remains unchanged, it will lead us to stagnation and result in the long-lasting absence of unabridged editions of works by Polish classics.
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