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Świat przedstawiony i nieprzedstawiony byłej Jugosławii (na przełomie wieków)

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Ćirlić-Mentzel D. J.

Miscellanea Posttotalitariana Wratislaviensia

2016

vol. 4: POKOLENIE — TRANSFORMACJA — TOŻSAMOŚĆ Gardzienickie czytania teatroznawcze… i nie tylko

101-109

Not everyone puts their eternal myths on banners in order to kill others. The question is how a nation transforms myths into art, and in particular into theatre. A sudden focus in the Yugoslavia, which no longer existed, on topics that used to be forbidden, was a natural reaction to the previous existence of taboo. When Poland was celebrating its accession to the European community, the citizens of Yugoslavia were experiencing the nightmare of war. Later, the transformation reached them as well. And with it came corruption, theft, gangsters and kitch-coloured life. The dissolution of Yugoslavia was overzealously supported by ideologues and politicians. The authors of the new generation, such as Biljana Srbljanović and Milena Marković (Serbia), Ivana Sajko and Tena Štivičić (Croatia), Dorutina Basha (an Albanian from Kosovo), write about what people living in the former Yugoslavia lost irretrievably. And in this way they fight the servile function of art towards the official ideology. But does anyone want to hear what the theatre warns against? Transformation of the world is a political project, which always finds its place in the theatre, if only a group of people meet, sharing common beliefs and ideas and wishing to change the world. Someone said so once in the former Yugoslavia.

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1 Miscellanea Posttotalitariana Wratislaviensia

1 2016

1 Ćirlić-Mentzel D. J.

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