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PL
W artykule poruszono zagadnienia tzw. poprawności heraldycznej i historycznej herbów gmin wiejskich województwa łódzkiego. Ten aspekt badawczy w świetle obowiązującego prawa, a także niepisanych reguł heraldycznych jest szczególnie kontrowersyjny. W rozważaniach na temat prawnego aspektu ustanawiania herbów samorządowych poruszyć należy kwestię tworzenia gminnych logo heraldycznych, także przez samorządy z województwa łódzkiego. W tym przypadku wyraźnie rozróżnić należy „zwykłe” logo od logo heraldycznego, które w formie i w funkcjach zazwyczaj jest tożsame z herbem.
EN
Authors of ideas and creators of judical seals in Old Poland (to 1791) were completely free in creating of seal pictures. However we can observe a connection between judical and municipal iconography of seals. Rules for creating of seal pictures were established by decisions of the Great Sejm in June and October 1791. Using of judical seals for studies on town heraldry may give us unexpected results. For example we are able to revise previous settlements concerning origins of some town arms as well as heraldic symbols. We would be able to use judical seals more effectively for scientific studies, when we had at our disposal complete histories of cities and towns, lists of municipal officials as well as a knowledge of municipal judicature in old small towns.
PL
Wydanie publikacji dofinansowane przez Komitet Badań Naukowych
EN
The bishop of Cracow Andrew Lipski bought a little town Chocz in 1620. In 1629 he started to build a church, there. This church was promoted to the collegiate church rank. The walls of collegiate church adjoined to the master of Chocz residence - the mitred prelate’s palace (now there ia a presbytery). Bishop Andrew Lipski provided in the fundation's act (with approval of king Zygmunt III Vasa and pope Urban VIII) that in the future only the members of the Lipski of Grabie arms family or people close related to them will be parish-priests. The epigraphical relics brought together in the church and old mitred - prelates's palace indirectly testify to ancestral character of this church institution. This above-mentioned institution functioned in the private possesions and it never has been the possesion of Catholic church. The gallery of pictures in Low relief of fundator and following Chocz provosts deserves special notice. These portraits were made to parish-priest Kazimierz Lipski's order (in the palace's guest-hall). The busts and after-mentioned inscriptions we should treat as a manifestation of the ancestral programme - the artistic exposition of ancestral fundation's history. The effigies and comanurent inscriptions were probably made after the example of the mitred-prelates’s portraits still ex tan ted in the 18th century. Now, only in the instance of Stanislaw Lipski's bust, we can its prototype - the oil-painting picture from 1711 which is preserved in the mitred-prelates old palace. These inscriptions informed about the past of peoples connected with the collegiate church. The activity of bishop A. Lipski is commemorated by two inscriptions from the 17th century. They tell us about fundator and the one them informed of the likely date of the church building’s end. Stanisław Lipski presented all of his cash to the collegiate church in Chocz and his own ornaments. The chalice, with inscription which indicated its original owner and date of production is the trace of that distant donation. The donation of John Alexander Liptki waa the monstrance. Apart from the information about donor we find informations about goldsmith and date of its origin. The most of inscriptions were made during the reconstruction of church «nH palace when Kazimierz Lipski was the parish-priest in Chocz. These inscriptions commemorate personage of that resourceful administrator. Apart from the remembrances of prorosts from Chocz there are preserved two portraits of Polish noblemen: - the portrait of Andrew Lipeki - the elder brother of bishop John Alexander Lipeki and the portrait of Thomas Lipeki - father of parish-priest Kazimierz. The collection of epigraphical relics, portraits and Low - reliefs and the little belonging to the Chocz's provosts — „prepositus hereditarius in Chocz Lipscensis” convinced us of serious treatment of fundation's resolutions. This collection calls our attention to the exceptional ancestral character of that church institution.
EN
In December 2015, after one year of debate on the version of coat of arms, Kutno Municipal Council passed a resolution to establish a coat of arms. Councilors accepted that the coat of arms of Kutno would be a shield on a blue background, with an emblem composed of a red defensive wall, the golden lion with a mirror and a silver lily flower. The image of the coat of arms contains information about Bohdan Zaleski, a poet associated with the municipality of Kutno and the Blessed Virgin Mary, the patron of the church in Głogowiec (near Kutno). The coat of arms of Kutno has been positively evaluated by the Heraldic Commission. Drafts of municipal emblems were prepared by Kinga Łuczak. Coat of arms of Kutno rural commune informs about important facts from the history of the community and its form it refers to the symbols of the city of Kutno and Kutno district.
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