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EN
The text concerns one of the main motives to be found in journal notes made by Jerzy Pilch, the motive of disease. The author of the text pays attention to diversified realization strategies of this phenomenon in Pilch’s text. To the most important belongs rationalization of the process of getting ill, withdrawal of one’s own body from the text, and accumulation of formulas aiming at concealment or camouflage of pain and suffering. The author also asks a question on the functions of disease textualisation, especially in the light of the autotherapic power of noting down many a time questioned by Pilch. Besides, what is important in this book is irony, scorn, and black humour that stylistically organise Pilch’s intimate testimony. In final, Pilch’s journal of disease turns out to be a refined game with oneself, a reader and genological possibilities of a journal.
FR
Le texte concerne un des motifs fréquemment présents dans les notes du journal de Jerzy Pilch, celui de la maladie. L’auteure du texte attire l’attention sur de diffèrentes stratégies de réalisation de cette question dans le texte de Pilch. Parmi les plus importantes elle cite la rationnalisation du processus de souffrir, l’évacuation de son propre corps du texte, l’accumulation des formules qui ont pour but de dissimuler ou de camoufler la douleur et la souffrance. L’auteure pose également la question sur les fonctions de textualisation de la maladie, surtout envers l’auto-thérapeutique pouvoir de la note, contesté par Pilch à plusieurs reprises. Les catégories, importantes dans la lecture réalisée, sont en plus l’ironie, la dérision, l’humour noir, qui organisent stylistiquement le témoignage intime de Pilch. Finalement le journal de la maladie de Pilch s’avère être un jeu raffiné avec lui-même, avec le lecteur et des possibilités généologiques du journal.
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EN
The article considers the motif of rape – one of the most important in Włodzimierz Odojewski’s prose. The author is interested in different examples of sexual violence against women: from patriarchal violation to war rape. In each case both the woman’s body and psyche (stigmatized with indelible trauma) are being analysed as well as the heroines‘ life after the rape. The author of the article also confronts these extreme experiences of women from a man’s point of view (that of the narrator and male characters), trying to answer the question, can rape be narrated and intimacy recovered after such traumatic experiences?
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