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„Trznadle” Denisa Osokina: tradycja, rytuał, fikcja

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Raspapou A.
Studia Rossica Posnaniensia
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2012
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issue 37
293-300
RU
In this article we will attempt to take a close look at the artistic output and literary phenomenon of Denis Osokin, one of the most unique writers of the new generation in contemporary Russian literature. Based on The Buntings, Osokin’s most important novel, we will attempt to discuss the subject matter, literary genre and selected problems in the author’s poetics and philosophy. What is most interesting today in Russian literature takes place here – in short forms, along the thin line between poetry and prose, and outside of existing forms, which is exemplified by The Buntings.
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Формы памяти и память формы в романе Михаила Шишкина Взятие Измаила

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Raspapou A.
Przegląd Rusycystyczny
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2019
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vol. 2019
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issue 4
PL
Niniejszy artykuł poświęcony zagadnieniu pamięci w powieści Michaiła Szyszkina Zdobycie twierdzy Izmaił. Celem opracowania jest włączenie powieści Szyszkina do nurtu badań nad pamięcią. Punktem wyjścia do rozważań jest stwierdzenie Renate Lachmann, że „literatura jest jedną z mnemicznych konstrukcji świata”. Analiza zagadnienia pamięci w powieści wskazuje na autorski, złożony i niejednorodny, model narracyjnego konstruowania zarówno tożsamości, jak i zewnętrznego wobec niej świata.
EN
The article is devoted to the issue of memory in Mikhail Shishkin’s novel The Taking of Izmail. The main purpose of the present research is to include Shishkin’s novel into memory studies. The approach to the memory aspect of the novel is based on Renate Lachmann conclusion that the literature is one of the mnemonic construction of the world. The analysis of memory issue in Shishkin’s novel indicates the author’s compound and heterogeneous model of narrative identity and external reality construction.  
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Онейропоэтика сборника рассказов Николая Байтова „Зверь дышит”

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Raspapou A.
Studia Rossica Posnaniensia
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2019
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vol. 44
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issue 1
245-254
RU
The article attempts to trace the process in which the selected narratives, based on the poetics of dreams, are constructed. This analysis focuses on the stories The Beast and Don Delta from Nikolai Baitov’s latest collection of stories The Beast Breathes, published in 2014. In the stories which were chosen as the examples, the presence of oneiric forms is both the primary compositional principle and the element determining the story’s genre affiliation. It is shown that the basic principle for organizing the literary dream in the story The Beast is the use of the poetic trope of metabole. Experiment with form underlies Don Delta, the story that follows. This leads the author to create a new genre form – the rough draft of a dream. Through his specific means of organising the dream form, Baitov reveals new possibilities for language in constructing a literary dream, while at the same time illustrating a paradoxical interaction between “signifier” and “signified” as well as their potential for creating literary reality.
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Pamięć zbiorowa a indywidualne wizje przyszłości w filmie Kiriłła Sieriebriennikowa Uczeń

100%
Raspapou A.
Kultury Wschodniosłowiańskie - Oblicza i Dialog
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2018
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issue 8
173-184
EN
The article discusses the functioning of collective memory and its manifestations in contemporary Russian cinematography. The author analyzes the play Martyr by the German playwright Marius von Mayenburg and compares it with the film The Student directed by a Russian filmmaker Kirill Serebrennikov. The author refers to the concept of collective memory in order to explain its significance in the process of constructing and preserving national identity. On the basis of this analysis it is shown that the youngest generation of Russians are experiencing an identity crisis, and that they are trying to redefine the models and patterns imposed on it in an effort to find its place in today’s world.
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