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Pamiętnik Literacki
|
2005
|
vol. 96
|
issue 4
101-122
EN
The image of Adam Mickiewicz that emerges from the very few remarks in the writings of Gérard de Nerval is interesting, though incomplete, since it is based only on certain ideas expressed in Mickiewicz's lectures at the College de France and in his 'Ksiegi narodu polskiego i pielgrzymstwa polskiego' (Books of the Polish Nation and of the Polish Pilgrimage). The French romantic poet equated Mickiewicz with the many representatives of syncretic religious movements popular in nineteenth-century France. In his letters and articles, Nerval interpreted the Polish poet's words as he sought in them a solution to his own faith dilemmas. Nerval's statements on the subject of Mickiewicz are confronted with the two final courses of the Paris lectures, where Mickiewicz deals with the issues that most interested Nerval: metempsychosis, modern pantheism, the relationship of the followers of religious eclecticism to the official Church, the mission of the Slavs, the role of Napoleon. A comparative reading enables us to shed closer light on little known aspects of Mickiewicz's work, as well as to comprehend certain tendencies in the writings of the French romantic poet.
Pamiętnik Literacki
|
2005
|
vol. 96
|
issue 4
79-99
EN
By analyzing Mickiewicz's original attempts to develop his historiographical ideas 'Ksiegi narodu polskiego i pielgrzymstwa polskiego' (The Books of the Polish Nation and of the Polish Pilgrimage), 'Pierwsze wieki historii polskiej' (The First Centuries of Polish History), his Lausanne and Paris lectures), the author shows how the poet's views evolved during the years 1832-1840: from his fascination with the rationalistic view of historical processes (i.e. with Enlightenment inspirations) to his messianic, mythical, mystical and theosophical conception of them, shaped under the influence of Andrzej Towianski's theosophical doctrine, during the period when he was Professor of Slavonic Literatures at the College de France. The analysis reveals the process by which two historiographical tendencies overlap and interact in Mickiewicz's texts: the 'realistic' and the 'messianic'. The latter leads to a transformation of his historiographic interpretation of historical phenomena into a vision characteristic of a messianic philosophy of history. Moreover, under the influence of messianism, a reinterpretation takes place in Mickiewicz's approach to the question 'what is an historical narrative?”. According to the realistic conception, it was the 'narrating' of events which had taken place in a defined time and place, their treatment in chronological order, and with reference to the criterion of truth. In the historiosophic conception, on the other hand, the historiographic narration undergoes a metamorphosis and becomes a narrative whose aim is, above all, to grasp the 'spiritual essence' of the historical process created both by man and by Providence.
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