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Moderna v časopisech kolem 1900: kontexty, funkce, strategie

100%
Tureček D.
Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
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2018
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vol. 57
9-21
EN
The study deals with the way of the selection and apropriation of modern European literature in Czech journalism. The Czech point of view was formed by the aesthetics of Parnassism, and the modern literary movements were interpreted in this context. The Czech debate on Modernity was marked by personal animosities and, after 1900, it was sceptical towards the productive possibilities of this type of literature.
2
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Koncept romantického časopisu : Periodika Krok a Časopis českého Musea z perspektivy středoevropského časopisectví

84%
Faktorová V.
Česká literatura (Czech Literature)
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2016
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vol. 64
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issue 2
167-203
EN
In the late 18th and early 19th century a particular conception of the journal emerged within early Romantic German circles as a universal encyclopedia bringing together both art and sciences. This study follows the influence of this idea and its variants within the Central European and Czech context, where it gained ground, particularly in the case of Časopis českého Musea and Krok. These Czech periodicals had the basic characteristics of this kind of journal: their establishment is understood to be a culturally and nationally representative act, and their production is characterized by typical tension between the artistic and scientific elements. Above all they became important distributors of various forms of Romantic discourse.
CS
Na přelomu 18. a 19. století byl v okruhu německé rané romantiky rozvinut specifický koncept časopisu jako univerzální encyklopedie slučující oblast umění a vědy. Studie sleduje působnost tohoto konceptu a jeho variant ve středoevropském a českém kontextu, kde se prosazuje zejména v případě Časopisu českého Musea a Kroku. Tato česká periodika splňují základní charakteristiky daného typu časopisu: jejich založení je chápáno jako kulturně a národně reprezentativní akt, jejich produkce se vyznačuje typickým napětím mezi uměleckou a vědeckou složkou a především se stávají podstatnými distributory různých podob romantického diskurzu.
3
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Vznik slovenskej právnickej infraštruktúry po roku 1918 : (Príspevok k storočnici vzniku slovenského časopisu Právny obzor)

84%
Halász I.
Právník. Teoretický časopis pro otázky státu a práva (The Lawyer - Scientific Review for Problems of State and Law)
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2017
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vol. 156
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issue 7
603-618
EN
The paper deals with the creation of the Slovak legal infrastructure after 1918, when Czechoslovakia was born. The political position of Slovakia and Slovaks in this state was generaly better than in the old Hungary.During the period of Austro-Hungarian dualism (1867-1918) only a limited number of Slovak lawyers worked in the Hungarian justice and state administration, majority of them worked as solicitors. The use of the Slovak language in the judiciary and public administration was also very limited. The first task for lawyers after 1918 was the creation of a complex Slovak legal terminology, because the Slovak language became the official language only recently. The journal Právny obzor, established in 1917 and the Union of Lawyers of Slovakia, which published this journal, played very important role in this proces. The third important factor was the creation of the first Slovak University in Bratislava in 1919. The Faculty of Law of Comenius University has worked since 1921, but the majority of professors came from the Czech lands. At the begining only one professor was Slovak, professor Augustín Ráth who became also the first Slovak rector of the University
SK
Príspevok sa zaoberá problémom vzniku slovenskej právnickej infraštruktúry po roku 1918. Politické postavenie Slovenska a Slovákov bolo v tomto štáte všeobecne lepšie, než predtým v starom Uhorsku. V období rakúsko-uhorského dualizmu (1867-1918) len málo slovenských právnikov pracovalo v uhorskej justícii a štátnej správe.Väčšinou pracovali ako advokáti. Obmedzené bolo aj používanie slovenčiny v súdnictve a verejnej správe. Prvoradou úlohou právnikov po roku 1918 bolo preto vytvorenie komplexnej slovenskej právnickej terminológie, lebo slovenčina sa vtedy stala úradným jazykom. V tomto procese vytvárania terminológie zohral veľmi dôležitú úlohu časopis Právny obzor, ktorý bol založený v roku 1917, ako aj Jednota právnikov Slovenska, ktorá tento časopis vydávala. Tretím faktorom bol vznik slovenskej univerzity v Bratislave v roku 1919. Právnická fakulta Univerzity Komenského pracovala od roku 1921, avšak väčšina profesorov pochádzala z českých krajín. V začiatkoch len jeden profesor bol Slovák. Augustín Ráth bol zároveň aj prvým rektorom slovenského pôvodu tejto univerzity.
4
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Česká literární moderna v časopise Aus fremden Zungen — čtyři příklady prostředkování

67%
Merhautová L.
Slovo a smysl - Word & Sense
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2015
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vol. 12
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issue 24
93-125
EN
Czech literary modernism in the journal Aus fremden Zungen — four examples of mediation The study focuses on Bronislav Wellek, Adolph Donath, Camill Hoffmann, Oskar Wiener and Otto Hauser and their translations and articles on modern Czech literature published in the German journal Aus fremden Zungen (1891–1910). This fortnightly established by Joseph Kürschner dealt exclusively with foreign literature. Its openness to all kinds of literary currents and little-known minor literatures was unique within the system of German literary journals. A comparison indicates the key role played by mediators. The primary requirement for their activity was multilingualism, and it turns out that in the case of all the figures under consideration, language did not necessarily have the nationally symbolic significance ascribed by politics, and their identity basically did not depend on their use of one language or another. The progress and success of this mediation was not just decided by the literary standard of the translation, but all five translators were concerned to improve the standard of translation, as well as to change the approach to translation in general. The choice of text and its succeeded publication was determined by the involvement of the mediators in the Czech and German literary context. Hence Bronislav Wellek focused primarily on translations and interpretations of poetry by Jaroslav Vrchlický and J. S. Machar, whom he knew personally and who also introduced him to their own literary and intellectual circles. It was thanks to Vrchlický that he printed his translations in Eduard Albert’s anthologies Poesie aus Böhmen (1893–1895). Machar was responsible for other translations, e.g. Hilbert’s drama Vina, which Hermann Bahr was to help promote in the German-language sphere. Between 1896 and 1898, Adolph Donath attempted to build up his position as mediator between the Moderní revue circle and some representatives ofViennese modernism (e.g. Karl Kraus, Peter Altenberg and Felix Rappaport). For Aus fremden Zungen he translated an impressionistic short story by Luisa Ziková Bílý květ (White Flower). In a fivepart series and an accompanying study modern Czech prose (J. Zeyer, V. Mrštík, F. X. Svoboda, J. K. Šlejhar and R. Svobodová) was presented by Camill Hoffmann and Oskar Wiener. Their mediation activities were based on direct relations with Prague Czech authors of the youngest generation, on whom Hoffmann also focused in his articles for other German journals, though in Aus fremden Zungen he was concerned with surveying the modernist work of the 1890s. Samples of Czech prose were followed on by translations from modern Czech lyric poetry (O. Březina, A. Sova, K. Hlaváček and V. Dyk) written by Otto Hauser. This polyglot and translator from numerous languages was a different kind of Viennese mediator. In contrast to Wellek and Hoffmann, Hauser was only in sporadic correspondence with Sova and Březina. His literary assessment of their poetry was based on his broad knowledge of contemporary European poetry, including minor literatures (such as Danish, Dutch and Croatian) and as such is of importance. These examples show that literary mediation is a complex rapprochement of variously defined and construed contexts, which have their reflected and unrealized limits.
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