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Bohemistyka
|
2020
|
issue 3
367-382
EN
The article is focused mainly on metamorphoses of aesthetic-philosophical approaches of the most important representatives of Czech literature at the end of 19th and beginning of 20th century whose work presents gradual heading for modern art, from decadent to symbolist focus using an aesthetic theory of Russian philosopher Vladimir Solovjov based on theurgic substance of art.
EN
The article deals with versified works of Viktor Dyk from the pre-war period (1897–1914) written in iambic pentameter. It analyses the relationship between the texts’ genre (lyric, satire, drama) and their rhythmic features (frequencies of stressing the line-initial and line-final syllables, frequencies of enjambment). The article concludes that Dyk’s lyric poems as well as his drama tend to employ features generally perceived as more literary compared to his satire.
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