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Particular art. On the artistic work of Łukasz Surowiec

100%
Kosterska A.
Anthropos?
|
2016
|
issue 25 Na uboczu
145-157
EN
Based on an analysis of the works of Łukasz Surowiec, demonstrated at the exhibition Dziady (2013) in The Bunkier Sztuki Gallery in Cracow, the author examines the ways in which Surowiec's art interferes with the realm of political. She draws on the concepts of Jacques Ranciere's le partage du sensible and Andrzej Turowski's particular art to point on some innovative strategies the artist uses in order to subvert the existing, stabilized visual regimes of homelessness and social exclusion. The aim of this article is to answer the question, if and how the work of Surowiec contributes to a political change.
2
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Czyim dziedzictwem są brzozy? Wokół pracy Berlin-Birkenau Łukasza Surowca

88%
Herczyńska S.
Przegląd Humanistyczny
|
2018
|
vol. 62(1 (460))
75-83
PL
The article discusses Łukasz Surowiec’s Berlin-Birkenau project under which the artist planted in Berlin several hundred birches from the area around the Auschwitz-Birkenau camp. The goal of the work defined by the artist was to create living monuments of the Holocaust and to propose the changes in the dynamics of Polish-German relations. In the article, I propose interpreting Surowiec’s work through the symbolic role of birches in the history of Polish culture and environmental history of the Holocaust. Such interpretation reveals the ambiguity of the gesture of replanting trees, the inability to classify it as an act of giving responsibility to the Germans or Polish-German reconciliation.
3
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Czy sztuka partycypacyjna może zaistnieć w internecie?

28%
Fausek-Kaczanowska A.
inAW Journal – Multidisciplinary Academic magazine
|
2020
|
vol. 1
|
issue 1
EN
The article presents the objectives, concepts, methods and characteristics of the artistic and social action known as “#givethanksfor”, pursued through social media, based on the assumptions of participatory art. The article describes the components of the action, how it was created and importance of the artistic work done, which is the finale of the action. The artist asks questions: “Can participatory art exist online?” and “Will the artist’s actions based on participatory art allow to awaken and show a feeling of gratitude in a group of people?” Answers were attempted based on considerations of participatory art, gratitude and online artistic activity.
PL
Artykuł przedstawia cele, koncepcje i metody działania oraz charakterystykę przebiegu akcji artystyczno-społecznej „#dziękujza” w mediach społecznościowych w oparciu o założenia sztuki partycypacyjnej. Opisuje jej elementy składowe, sposób powstania i znaczenie wykonanej pracy artystycznej będącej finałem akcji. Artysta stawia pytania: „Czy sztuka partycypacyjna może zaistnieć w internecie?” i „Czy działania artysty oparte na sztuce partycypacyjnej pozwolą rozbudzić i unaocznić uczucie wdzięczności w grupie ludzi?”. Odpowiedzi próbowano uzyskać na podstawie rozważań o sztuce partycypacyjnej, wdzięczności oraz przeprowadzonego działania artystycznego w internecie.
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