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EN
The article presents the results achieved by the author within her diploma work prepared at the Study of Conservation of Works of Art at the Academy of Fine Arts, Cracow. The conservation problems that arouse during the author’s work on the St. Catherine picture from Cięcina proved to be particularly interesting as on the same wooden support the three separate and stratified paintings have been found, dating from three different periods (the 17th, 16th and 15th century). Thus, the scope of works conducted had to comprise the determination of the strata, iconographie decipherment of the separate paintings, determining the approximate date of their creation, and lastly technological examination of the whole picture. This latter consisted of studies on the wood and canvas forming the support, chemical analyses of the painter’s putties, as well as of dyes present in the separate painted layers. A number of conservation operations has also been carried out in view of the painting’s very poor state of preservation during which were unveiled details of the paintings dating back to the 16th and to the turn of the 15th century present in the picture. As a particular achievement of the work under discussion may be reported the decipherment of contours of paintings on the picture, the preparing on tracing paper of their reconstruction based on the X-graphs, and finally, the decipherment of scenes shown in the paintings.
EN
Pontificale Plocense from the 12th-century is one of the first Polish pontificals entirely preserved to this day. Among liturgical ceremonials, there is a rhymed officium about St. Catherine of Alexandria. Its music bears some explicitly characteristic features of the late Middle Ages monody. A condensed musical style reveals a departure from the initial esthetic assumptions and it presents another possibility of performing the Gregorian chant. This officium, apart from following the compositional principles prevailing in Europe at that time, provides evidence that the Middle Ages were also an era seeking new forms of expression.
PL
Pontificale Plocense z XII w. jest jednym z pierwszych, kompletnie zachowanych rodzimych pontyfikałów. Zawarte w nim obrzędy „Depositio Crucis” i „Visitatio Sepulchri” oraz procesja rezurekcyjna należą do najstarszych misteriów na ziemiach polskich. Wśród 85 obrzędów liturgicznych znajduje się oficjum rymowane o św. Katarzynie Aleksandryjskiej. Jego muzyka nosi wyraźne cechy monodii późnego średniowiecza, o czym świadczą cechy stylu postgregoriańskiego. Skondensowany styl muzyczny zdradza odejście od pierwotnych założeń estetycznych i ukazuje inną możliwość kształtowania chorału gregoriańskiego. Oficjum to stanowi nie tylko odwzorowanie obowiązujących w ówczesnej Europie zasad, ale jest dowodem tego, iż średniowiecze było epoką poszukującą nowych form wyrazu.
DE
Pontificale Plocense aus dem 12. Jh. ist eines der ersten vollständig erhaltenen einheimischen Pontifikalen. Unter den liturgischen Riten gibt es das Reimoffizium zu Ehren der Hl. Katharina von Alexandria. Seine Musik trägt die charakteristischen Merkmale einer Monodie des späten Mittelal- ters. Diese entspricht gut hinein in Europa geltenden Grundregeln der spätmittelalterlichen Ton- kunst. Die untersuchte Matutin ist ein Beleg daf ü r, dass das Mittelalter auch in der Musik keine statische Epoche war, sondern die K ü nstler immer nach neuen Ausdrucksformen gesucht und diese auch verwirklicht hatten.
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