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Псаломщик православного прихода как хранитель местной литургической певческой традиции

100%

Густова-Рунцо Л.

Latopisy Akademii Supraskiej

2018

vol. Rola laikatu w życiu Cerkwi

issue 9

141-149

The modern Orthodox liturgical singing practice operates in a mixed society. On the one hand, it is a community of clergy, clergymen and parishioners, which is characterized by strict adherence to traditions, the dominance of ritual practice, collective thinking and the prevalence of stereotypes over innovations. On the other hand, this traditional community is a part of the information society, the characteristic feature of which is the mass and rapid dissemination of qualitatively increased volume of intellectual, artistic and other information through telecommunications. The modern Orthodox parish can be described as a mixed society. The liturgical life of the parish proceeds in accordance with the Canon and traditions, and social projects are implemented through lay people who enjoy all the benefits of the information society. Lay people who sing and read canonical texts at the service are also subjects of Orthodox liturgical practice, the intonation component of which is based on regional traditions. These traditions are the most stable element of liturgical singing practice, in contrast to its canonical component, which tends to be modified. The keepers of the regional singing tradition are the parish Psalmist and singers of the local Church choir, whose importance in liturgical singing practice increased in the twentieth century.

Традиционные и заимствованные элементы в современной православной певческой практике

80%

Густова-Рунцо Л.

Latopisy Akademii Supraskiej

2017

vol. Cerkiew a asymilacja- swój i obcy

issue 8

123-131

The article singles out the defining element of the Orthodox singing practice – liturgical. The example of the Belarusian Orthodox liturgical singing practice shows the result of assimilation of introduced (new) traditions into culture. The Byzantine type of liturgical singing and the intonational content of the Slavonic early-traditional (folklore) singing practices became the basis of the famous chant. Understanding this phenomenon makes it possible to restore the intonational features of the ancient canonical liturgical singing practice. The change in the cultural paradigm in the culture of the Commonwealth in the 17th and 18th centuries led to a gradual change in the intonational content of the liturgical singing practice of the Eastern Christian tradition and the birth of a new choral style. New changes occurred in the 19th century and are associated with the unification of Belarusian and Russian liturgical singing practices. The author analyzes the result of the interaction of the Byzantine, folklore, Roman Catholic and Russian Orthodox traditions, which characterizes the modern Belarusian Orthodox liturgical singing practice.

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2 Latopisy Akademii Supraskiej

2 Густова-Рунцо Л.

1 2018

1 2017

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Псаломщик православного прихода как хранитель местной литургической певческой традиции

Традиционные и заимствованные элементы в современной православной певческой практике