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Экзистенциальное в повести Александра Чаянова "Венецианское зеркало, или Диковинные похождения стеклянного человека"

100%
Саворовская А.
Studia Wschodniosłowiańskie
|
2015
|
vol. 15
133-146
EN
As is known, for the literature at the beginning of the XX century tend to gain interest on destiny of the person, the essence of the inner world and man’s place in the world. The article presents the results of the analysis story of Chayanov in terms of having it existential and anthropological problems, the path of solutions. Attempt to understand the passing from existential objective to existential subjective. In the story “The venetian mirror, or Outlandish adventures of glass man” happens to a split personality in the disharmonious world, the hero changes under the influence of its counterpart. During the study, special attention was paid to the role of the concept of “freedom”, “existential choice” in the story. In the article were identified and discussed the existential motifs and themes used by the writer. Holistically analyzed the expression of the philosophy of existentialism in the story of A.V. Chayanov. During the research, we came to the conclusion that the author, recreating of two worlds, split personality and character, came into the fight with the infernal double endowed demonic force, focuses on the duty of man to live beyond their fate, but of his own volition.
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Bаршавская премьера "Идиота" как путь осмысления романа Федора М. Достоевского

67%
Padsasonny S.
Studia Rossica Gedanensia
|
2017
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issue 4
205-218
RU
В статье дается оценка премьеры (11 февраля 2017 г.) одноименного спектакля по роману Идиот Федора М. Достоевского в Национальном театре (Teatr Narodowy) в Варшаве в режиcсуре Павла Мищкевича (Paweł Miśkiewicz). Анализируется философское содержание спектакля, ведущим смысловым мотивом которого становится Апокалипсис. Обращается внимание на роль зеркальности как связующего элемента для выстраивания категорий двойника и двой- ничества. Осмысливается постановка вопроса не только о спасении красоты, но и всего мира через красоту-добро, православие, Россию. Рассматривается проблема прочтения образа князя Мышкина, который сочетает в себе святое и смешное; однако нет ответа на вопрос, кто он: Христос, лжепророк или, может быть, сам дьявол.
EN
The article gives an assessment of the premiere (February 11, 2017) of the eponymous play based on the novel The Idiot by F.M. Dostoevsky in the National Theater (Teatr Narodowy) in Warsaw directed by Pavel Miskiewicz (Paweł Miśkiewicz). The philosophical content of the play is analysed, with the 'Apocalypse' as its leading motif. Attention is drawn to the role of the reflectivity as a connecting element for building the categories of double and doppelgänger. Reflection is made not only about the problem of saving beauty, but also about saving the whole world through beauty, goodness, Orthodoxy, Russia. The problem of understanding the image of Prince Myshkin, being a combination of the holy and the ridiculous, is unfolded, however there is no answer about his identity: he might be Christ, a false prophet or, perhaps, the devil himself.
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