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Семантика иконы в Беларуси периода I Речи Посполитой*

100%
Иванчина О.
Latopisy Akademii Supraskiej
|
2014
|
vol. Synody Cerkwi Prawosławnej w I Rzeczypospolitej
|
issue 5
209-219
EN
The article gives a philosophical, semiotic and cultural analysis of the Belorussian icon of the period of the Polish–Lithuanian Commonwealth (second half of the XVI till the XVIII century). Belorussian icon is a synthetic way of presenting the subject, including into its semantic sphere ideas and values of various Christian confessions and social spheres. Sign, symbol and picture are structural components of the icon, creating an integral text, filled with diverse meanings.
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ИКОНИЧЕСКОЕ СОЗНАНИЕ В ПОЭЗИИ ИВАНА ЖДАНОВА (НА МАТЕРИАЛЕ СТИХОТВОРЕНИЯ ПОРТРЕТ ОТЦА)

51%
Fedorushkov E.
Kultury Wschodniosłowiańskie - Oblicza i Dialog
|
2018
|
issue 8
39-58
EN
The paper aims to analyze the original figure of speech, which was described by Ivan Zhdanov as a reverse simile. The figure – due to its similarity – is compared with reverse perspecite used in icon painting. Such a comparison reveals the presence of the iconic consciousness in many layers of Father’s portrait – an exemplary Ivan Zhdanov poem. A meticulous analysis of the poem showed the closeness between the iconic consciousness and the orthodox consciousness which, in turn, is an integral element of Russian culture.
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