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Lately in Ukrainian literature many texts appeared about of Russian-Ukrainian war. War is actual in a literary process, she is in works of writers that did not participate in war as fighters, also as proses, poetries and dramas of combatants. Prose of combatants is examined in this article. Many authors prefer the genre of diary. But only little part of authors really conducted a diary on this war. Most authors were written in social networks. Returning from war, they used written in social networks, as basis for books. For all authors the books of that we studied, there are receptions of fiction in memoirs. We came in to the conclusion, that new memorialists modernized the genres of diary and remembrance.
EN
The analysis of women’s memoirs, which unite peculiarly the history and feelings, complete the image of an epoch, written by men-politicians, men-historians and writers, and is of great scientific interest. Women’s nature, a priori assuming the sacralization of feelings as only one possible prism of the reception of a fact, so vividly embodied in a confessional genre, defines a “special reading” of the history in the first Russian women’s memoirs Self-made Notes of Natalie Dolgoroukaya (Своеручные записки Наталии Борисовны Долгорукой, 1767). “Feminine writing” interprets life as a love story. This feeling that has become a synonym of life, allowed the memoirist to see beyond the outer sings of an epoch some eternal truths both national, predefined by the mental nature of Russians, and universal, proving that a feminine view succumbing a masculine one in the historically accurate description of the facts, appears as deeper in the intuitive, sensual comprehension of timeless truths that provide a clue to the code of the epoch. So, feelings apparently obscuring the history expand the score of its vision by personal emotions, enriching the image of facts constituting a historical event.
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