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Экзистенциальное в повести Александра Чаянова "Венецианское зеркало, или Диковинные похождения стеклянного человека"

100%

Саворовская А.

Studia Wschodniosłowiańskie

2015

vol. 15

133-146

As is known, for the literature at the beginning of the XX century tend to gain interest on destiny of the person, the essence of the inner world and man’s place in the world. The article presents the results of the analysis story of Chayanov in terms of having it existential and anthropological problems, the path of solutions. Attempt to understand the passing from existential objective to existential subjective. In the story “The venetian mirror, or Outlandish adventures of glass man” happens to a split personality in the disharmonious world, the hero changes under the influence of its counterpart. During the study, special attention was paid to the role of the concept of “freedom”, “existential choice” in the story. In the article were identified and discussed the existential motifs and themes used by the writer. Holistically analyzed the expression of the philosophy of existentialism in the story of A.V. Chayanov. During the research, we came to the conclusion that the author, recreating of two worlds, split personality and character, came into the fight with the infernal double endowed demonic force, focuses on the duty of man to live beyond their fate, but of his own volition.

Северный текст и северный миф в поэзии Николая Гумилева

94%

Снегирев И.

Acta Universitatis Lodziensis. Folia Litteraria Rossica

2020

issue 13

17-27

The article is devoted to the to the Northern myth, markedly present in the poetry of Nikolai Gumilyov. The poems included in the book Bonfire (1918) are of most interest. The external reason for writing this kind of Scandinavian cycle was the poet’s sojourn in Sweden. This is, however, by no means “geographical poetry” or a versified report from a journey. Scandinavian themes appear to be closely connected with the Slavonic ones and the interconnection even demonstrates some attempts on the part of Gumilyov to construct his own concept of Russia’s historical development.

Статья посвящена северному мифу, знаки которого обнаруживаются в поэзии Николая Степановича Гумилева. Наибольший интерес представляют стихи, вошедшие в книгу Костер (1918). Поводом для написания «скандинавского цикла» стало пребывание поэта в Швеции. Вместе с тем это вовсе не «географическая» поэзия в виде «отчета» о путешествиях. Скандинавская тематика тесно связана со славянской и демонстрирует попытки Гумилева выстроить собственную концепцию исторического развития России.

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1 Acta Universitatis Lodziensis. Folia Litteraria Rossica

1 Studia Wschodniosłowiańskie

1 Саворовская А.

1 Снегирев И.

1 2020

1 2015

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Экзистенциальное в повести Александра Чаянова "Венецианское зеркало, или Диковинные похождения стеклянного человека"

Северный текст и северный миф в поэзии Николая Гумилева