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„Bez pamięci” — od doświadczenia pokoleniowego po różnorodności wspomnień (na wybranych przykładach dramatów i filmów polskich)

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Baluch W.

Miscellanea Posttotalitariana Wratislaviensia

2016

vol. 4: POKOLENIE — TRANSFORMACJA — TOŻSAMOŚĆ Gardzienickie czytania teatroznawcze… i nie tylko

17-23

This article outlines the perspective of the development of Polish drama after 1989, when the totalitarian system was replaced with the ideas of liberal democracy. The main terms that define the scope of issues under investigation and the selection of dramas include ‘memory’ and ‘generational experience.’ The reflections begin with stating the inadequacy of previous cultural models and discourses with reference to the new socio-political reality that began in Poland after 1989. Further on, selected dramas of the most prominent playwrights of the 20th century: Tadeusz Różewicz and Sławomir Mrożek are analysed. Based on their example it is proven that the language of Polish drama from the communist period actually transfers ancient linguistic forms from the pre-war period and from the 19th century. However, in the 1990s the old masters could no longer find a language which would render the experience of people living in the period of transformation. It is achieved only a decade after the system transformation in Poland when at the beginning of the 21st century an anthology of young Polish drama entitled Porno generation is published. It marks the beginning of an artistic attitude that is characterised with a close contact of a play’s subjects with the presented reality. This attitude leads to one of the branches of modern dramaturgy based on a free usage and combination of various styles and elements of both literature and culture while simultaneously revealing personal engagement in the reality created in artistic activity. I will discuss dramas by Dorota Masłowska and selected Polish films of the last decade: All that I love, Yuma, and Motor as representative examples of this type of artistic activity.

Поколение: модель и ее динамика (на материале русской классической литературы)

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Olaszek B., Uniwersytet Łódzki W. F.

Acta Universitatis Lodziensis. Folia Litteraria Rossica

2015

vol. Zeszyt specjalny 2015

В статье на материале русской литературы XIX – начала XX веков рассмотрено становление модели поколения и ее динамика. На основании анализов сделаны следующие выводы: в изображении русских писателей модель поколения образовалась не столько на возрастной основе, сколько на почве общности исторического и культурного опыта. Модель поколения трансформировалась под влиянием важных исторических событий, интересов (искусство/наука), модных идеологий. Наиболее выразительный облик у поколений сороковых и шестидесятых годов – литературных отцов и детей. Отношение к этим двум традициям и тенденция освободиться от них стали основой идентификации очередных поколений: 1880-х, 1890-х и начала XX века. Внешним проявлением поколенческих отличий стал стиль жизни.

The paper presents an attempt to reconstruct a generational model and brings some reflections on the dynamics of its changes. The following conclusions have been drawn from the analysis of a selection of works: – the model of a generation was not age-related, but emerged in the consciousness of Russian writers on the basis of a shared social, cultural and historical experience; – the ways in which individuals make sense of the past and establish generational identities are manifest in their attitude towards the prevailing values and norm systems of older generations, as well as in references to the literary images – in this case particularly to those of the 1840s and 1860s generations, of ‘fathers and sons’ – through acceptance or rejection thereof; – members of the post-1880s generation rejected the legacy of their fathers, without offering anything in return, thus becoming a generation at the crossroads. The turn-of-the-century generation was characterized by an ambivalent attitude towards their predecessors: – the generational model evolved under the impact of historical events, fashionable ideologies and fascinations for art or science, which offered a common generational experience; – the style of life came to be the outward manifestation of generational differences.

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1 Acta Universitatis Lodziensis. Folia Litteraria Rossica

1 Miscellanea Posttotalitariana Wratislaviensia

1 Baluch W.

1 Olaszek B.

1 Uniwersytet Łódzki W. F.

1 2016

1 2015

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„Bez pamięci” — od doświadczenia pokoleniowego po różnorodności wspomnień (na wybranych przykładach dramatów i filmów polskich)

Поколение: модель и ее динамика (на материале русской классической литературы)