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Українське кіномистецтво і тоталітаризм (друга половина 1960-х–1980-ті роки)

100%

Кузіна Н., Ховайба Н.

Miscellanea Posttotalitariana Wratislaviensia

2013

vol. 1: Między pamięcią a zapomnieniem. Trauma postkomunistyczna

273-285

The article conсiders confrontation of soviet system and filmmakers, degree of freedom of artistic creativity of intellectuals in totalitarian state, as well as system of punishment that was used against diссidents. The art of cinema as being most massive and influential has received considerable attention from the Soviet state. Ideological format of cinematography development has remained unchanged for decades, its dogmatism and conservatism became a powerful factor in distorting public consciousness. Cinema was to promote communist consciousness of the people and strengthen links with practices of building socialist system. The main method which was available to filmmakers in their works is socialist realism and it was used as basiс for creation of high artistic works that glorified heroic deeds of soviet people — builders of communism. Real achievements and losses of Ukrainian cinema of the second half of the 1960s and first half of the 1980s became clear only with the beginning of liberalization of spiritual life from the time of „perestroika” and development of national cultural life in independent Ukraine.

Religious activity and expression of national identity of Ukrainians during the introduction of the new Soviet ritual: 1960’s–1970’s

70%

Kindrachuk N.

Nowa Polityka Wschodnia

2023

issue 3(38)

286-302

Партийные идеологи советского тоталитарного государства искусственно разрабатывали и активно внедряли в жизнь титульной нации УССР новую советскую обрядность, главной целью которой было воспитать из каждого украинца русифицированного человека советского типа без национальной идентичности. и религиозных убеждений, с русским сознанием, менталитетом и языком. В статье доказано, что исконные церковно-религиозные традиции и обычаи украинского народа продолжали оставаться частью повседневной культуры украинцев. Религиозная деятельность представителей украинского этноса особенно наблюдалась во время празднования Рождества, Крещения, Пасхи и других церковных праздников. И хотя количество приверженцев религиозных обрядов в республике было разным – от меньшего на Востоке до большего на Западе, христианские ценности, вопреки атеизации, продолжали оставаться основой духовной жизни абсолютного большинства украинцев.

The party ideologues of the Soviet totalitarian state artificially developed and actively introduced into the life of the titular nation of the Ukrainian SSR a new Soviet ritualism, the main goal of which was to raise from every Ukrainian a Russified citizen of the Soviet type without national identity and religious beliefs, with a Russian consciousness, mentality and language. The article proves that the ancient church and religious traditions and customs of the Ukrainian people continued to be a part of the everyday culture of Ukrainians. The religious activity of representatives of the Ukrainian ethnic group was especially observed during the celebration of Christmas, Epiphany, Easter and other church holidays. And although the number of adherents of religious rites in the republic was different – from less in the East to more in the West, Christian values, despite atheism, continued to be the basis of the spiritual life of the absolute majority of Ukrainians.

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1 Miscellanea Posttotalitariana Wratislaviensia

1 Nowa Polityka Wschodnia

1 Kindrachuk N.

1 Кузіна Н.

1 Ховайба Н.

1 2023

1 2013

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Українське кіномистецтво і тоталітаризм (друга половина 1960-х–1980-ті роки)

Religious activity and expression of national identity of Ukrainians during the introduction of the new Soviet ritual: 1960’s–1970’s