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Традиционные и заимствованные элементы в современной православной певческой практике

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Густова-Рунцо Л.

Latopisy Akademii Supraskiej

2017

vol. Cerkiew a asymilacja- swój i obcy

issue 8

123-131

The article singles out the defining element of the Orthodox singing practice – liturgical. The example of the Belarusian Orthodox liturgical singing practice shows the result of assimilation of introduced (new) traditions into culture. The Byzantine type of liturgical singing and the intonational content of the Slavonic early-traditional (folklore) singing practices became the basis of the famous chant. Understanding this phenomenon makes it possible to restore the intonational features of the ancient canonical liturgical singing practice. The change in the cultural paradigm in the culture of the Commonwealth in the 17th and 18th centuries led to a gradual change in the intonational content of the liturgical singing practice of the Eastern Christian tradition and the birth of a new choral style. New changes occurred in the 19th century and are associated with the unification of Belarusian and Russian liturgical singing practices. The author analyzes the result of the interaction of the Byzantine, folklore, Roman Catholic and Russian Orthodox traditions, which characterizes the modern Belarusian Orthodox liturgical singing practice.

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1 Latopisy Akademii Supraskiej

1 Густова-Рунцо Л.

1 2017

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Традиционные и заимствованные элементы в современной православной певческой практике