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EN
The article is devoted to the influence of esoteric philosophy on the European and Russian literature at the turn of the 20th century. The author analyzes the causes of the fascination with clairvoyance (as well as other kinds of extrasensory perception) and examines its various expressions in the works of H.P. Blavatsky, Alexander Aksakov, Annie Besant, Charles Leadbeater, Rudolf Steiner, Gustav Meyrink, Maurice Maeterlinck, Andrei Belyi, Leo Kobylinsky-Ellis, Nikolai Roerich et al.
EN
The article sees into the role of body and haptic code in the system of semiotic parameters forming the Russian emigration’s literary texts as well as the mixture of haptic feelings and senses leading us into the emigrant poet’s emotional experience. As an example we show different ways to convey the character’s perception of the world and demonstrate his/her emotional conditions such as fear, love, emotional fatigue, loneliness, suffering, etc.) which emerge in the feeling of pain, the warmth and the cold, tension, spasm, touch and other demonstrations of kinaesthetics. The study is based on a large body of the Russian emigration poetry, both western and eastern.
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