Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Refine search results

Journals help

  1. 1 Internetowy Magazyn Filozoficzny Hybris

Authors help

  1. 1 Jóźwiak K.

Years help

  1. 1 2016

Results found: 1

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  “atlas of modernity”
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1
Publication available in full text mode
Content available

Montaż nowoczesności. Wystawa „Atlas nowoczesności” wobec wybranych wątków filozofii historii sztuki

100%
Jóźwiak K.
Internetowy Magazyn Filozoficzny Hybris
|
2016
|
vol. 32
|
issue 1
19-35
EN
In this article I examine the notion of “montage” in the contexts of both Muzeum Sztuki exhibition “Atlas of Modernity” and contemporary trends in aesthetics. In the exhibition folder there appears the word “montage” which describes a specific methodology of the exhibition. The way “montage” is being used metaphorically in the discourse of aesthetics is by no means new. Thus I decided to dig into the roots of the usage of this notion, which goes back to the beginning of 20th century when Aby Warburg established a new methodology in the visual studies, Walter Benjamin elaborated on his literary montage, and Sergey Eisenstein contributed to general theory of montage. Nevertheless, the very central figure is contemporary theorist Georges Didi-Huberman and his original reading of the above mentioned thinkers. Thus, using this constellation of names, I try to examine, how the notion deriving from cinematography happened to play such an important role in contemporary aesthetics.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.