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EN
The beginning of the 19th century is the period of a gradual development of the Polish-Russian relations in the area of the periodical press (earlier see for instance: „Trudolubivyj muravej”,1771; „Zabawy Przyjemne i Pożyteczne”, 1772). Ranking highest in the Polish periodicalpress from that viewpoint is „Dziennik Wileński” (1805-1806) issued by S. Jundziłł, J. Śniadeckiand J. Kossakowski, and „Zabawy Przyjemne i Pożyteczne” (Warszawa, 1804-1806) issued byC. Godebski and K. Kossecki, while in the Russian periodical press - „Ulej” (Sankt-Petersburg,1811-1812) issued by V. Anastasyevic. In „Dziennik Wileński” N. Karamzin’s compositions werepublished (among others Pantheon of Russian Authors), in „Zabawy Przyjemne i Pożyteczne”- a series of articles on the history of the Russian literature, in „Ulej” - among others I. Krasicki’scompositions (About Polish Poets).
EN
In this article author analyzes one of the most important events of the political life of the Second Republic – May Coup – from the perspective of „Dziennik Wilenski” journalists. In the National Democratic Party press organ we find a lot of reviews, polemics and information relating to accidents in Warsaw and political situation in the country. The article also refers to the polemics with another Vilnius newspapers such as „Kurier Wileński” and „Słowo”. The whole development is a contribution to the research for the May coup’s responses in the press of Vilnius and in the whole North Eastern Borderlands.
PL
W niniejszym artykule autor analizuje jedno z najistotniejszych wydarzeń życia politycznego II Rzeczypospolitej – zamach majowy – z perspektywy redakcji „Dziennika Wileńskiego”. Na łamach organu prasowego wileńskiej endecji znajdujemy wiele opinii, polemik oraz informacji odnoszących się do wypadków warszawskich i ówczesnej sytuacji politycznej w kraju. W tym kontekście warto zwrócić uwagę, że przedstawione treści obok realizacji celów politycznych niejednokrotnie obiektywnie obrazowały rzeczywistość mieszkańcom Wilna i okolic. W artykule pojawią się również odniesienia do innych wileńskich gazet – „Słowa” i „Kuriera Wileńskiego”, z którymi publicyści „Dziennika” polemizowali. Całość opracowania stanowi przyczynek do badań nad echami zamachu majowego zarówno w prasie wileńskiej, jak i całych Kresów Północno-Wschodnich.
EN
Józef Zawadzki, the Vilnius bookseller and the editor, the animator of many important publishing undertakings, contributed extremely effectively to sustaining and the development of the scientific‑literary movement in Lithuania in the partition age. Moreover, he became involved very actively in coming into existence and publishing periodicals. He spared no effort to publish “Vilnius Daily” (in both periods of appearing it) or “Vilnius Literary Newspaper”. All action taken in this direction resulted from Zawadzki’s belief that magazines would influence the cultural life of the country very positively and be a place of the constructive criticism, as well as publishing and book advertisements. He cared about it both as the experienced editor, for whom the evaluation of published work was extremely helpful in gradual developing publishing successive initiatives, and for the bookseller caring for the information about the available writing production so that it could get through to the widest circle of recipients and arouse their interest.
EN
Józef Zawadzki, the Vilnius bookseller and the editor, the animator of many important publishing undertakings, contributed extremely effectively to sustaining and the development of the scientific‑literary movement in Lithuania in the partition age. Moreover, he became involved very actively in coming into existence and publishing periodicals. He spared no effort to publish “Vilnius Daily” (in both periods of appearing it) or “Vilnius Literary Newspaper”. All action taken in this direction resulted from Zawadzki’s belief that magazines would influence the cultural life of the country very positively and be a place of the constructive criticism, as well as publishing and book advertisements. He cared about it both as the experienced editor, for whom the evaluation of published work was extremely helpful in gradual developing publishing successive initiatives, and for the bookseller caring for the information about the available writing production so that it could get through to the widest circle of recipients and arouse their interest.
EN
An overview — even cursory — of literary culture in Lithuania in the first decades of the nineteenth century indicates there were many people who pursued poetry writing. According to Piotr Chmielowski, such a phenomenon did not exist then to this extent and with such intensity in any other part of Poland’s territory. As proof, in one of his works, he lists more than seventy names of poets who in the years 1815– –1822 had their poetry printed on the pages of journals published at the time. This number, certainly, does not fully reflect the scale of the said phenomenon. It should be noted that young people strove for a place on local poetry Parnassus, for example, also through parlor readings or through entries in memory books. Those young poets were often satisfied with minor, fleeting poems, handed from one person to another, without hope of the fruits of their poetic labor appearing on the pages of periodical press. Unfortunately, few of these poets possessed “talent above the mediocrity”, hence few manged to impress their audience. The paper aims to present selected views of contemporary audience concerning the poetry as its members also made an attempt at evaluation of the poems and aesthetic valorisation of the authors’ talent.
EN
From the beginning, literature occupied an important place in “Vilnius Daily” (so-called scholar magazine’s pages). The editors of the journal (including Jan and Jędrzej Śniadecki, Euzebiusz Słowacki, Filip Nereusz Golański, Leon Borowski, Ernest Groddeck, Kazimierz Kontrym) who were recruited from the circle of the University of Vilnius are alumni in “the age of lights”. Being heirs to the enlightenment ideals of aesthetics, they appreciated the literary output of their immediate predecessors. These preferences are clearly visible in the literary content of “Vilnius Daily”’, obviously adhering to classical and sentimental tastes. Without a doubt Stanisław Trembecki enjoyed the highest popularity among the Stanislawow creators in those pages. We also encounter there the works of Elżbieta Drużbacka, Ignacy Krasicki, Franciszek Karpiński and Ludwik Kropiński. The Vilnius magazine, appreciating their creative achievements, showed thereby the continuation of eighteen-century literary tradition.
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