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  1. 1 Analecta Nipponica

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  1. 1 Kamrowska A.

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Animals in Anime by Takahata Isao and Oshii Mamoru

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Kamrowska A.
Analecta Nipponica
|
2018
|
issue 8
135-144
JA
高畑勲と押井守のアニメ作品において、動物達は支配者や人間中心主義、物として扱われるパラダイムに対抗する。どちらの監督も日本文化における動物達の伝統的な意味を踏まえた上で、彼らを現代の状況下に置く。この現代的側面は伝統的側面よりもより重要視され、伝統と現代化の衝突を浮かび上がらせ、その中で動物達は消えゆく自然界を象徴する。本論で考察される二人の監督の作品において、動物達は人間あるいはテクノロジーによって改変されたアバターに家族生活をもたらすという特殊な能力を持った存在として描かれている。
EN
In the anime works by Takahata Isao and Oshii Mamoru, representations of animals oppose the dominant, anthropocentric or objectified paradigm. Each director begins with the traditional meaning of animals in Japanese culture and places them in a contemporary setting. this modern aspect is far more important than the traditional one and it is used to present the conflict of tradition and modernity wherein animals symbolize the fading world of nature. In the discussed works by two Japanese filmmakers, animals possess a unique ability to provide humans, or the technologically altered avatars, with a family life.
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