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EN
The article focuses on the visual representation of men and women in the anti-globalisation movement in the alternative media. Two specific occasions are addressed: the demonstrations in Prague (2000) and Genoa (2001). Semiotic and content analyses are applied in a comparison of British and Czech alternative magazines. A brief history of the anti-globalisation movement, theories of alternative media, and gender representation in media is provided. The research shows that the anti-globalisation struggle is represented as gendered, and traditional gender roles are reproduced in the alternative media. Fewer women than men are represented in the media coverage, and women and men are shown performing different activities. Women are mostly associated with non-violent and creative actions, while men are more often depicted as fighters. Violent protest is considered more effective and important; male tactics are the norm. The British and Czech media do not differ significantly in terms of how men and women at the demonstrations or in the movement are represented.
EN
The model of alternative media presented in the paper illustrates a number of changes that have taken place in the sphere of media during the past few years. At the same it is an example of modern communication trends and innovations characteristic not only of subculture groups, but also of the entire web media space. By combining innovative communication solutions with the philosophy of radical social groups, Indymedia have created a communication and propaganda platform that counterbalances the traditional model of information flow, both in terms of the content and organisation. Leaving aside Indymedia’s ideological stance, their global success on the one hand serves as an example of active participation and media co-creation by non-professionals, and on the other, shows the possibility for creating media platforms alternative to the commercial media. Media products created in the web ecosystem of the media are often used by commercial media as sources of information.
Filozofia (Philosophy)
|
2022
|
vol. 77
|
issue 4
268 – 282
EN
Ideologically different alternative media define themselves in opposition to mainstream journalism, and attacks on the perceived lack of objectivity of its authors are especially common for them. This paper examines their role in the context of Habermasian concept of the public sphere and distinguishes between alternative media as institutions of the counter public or anti-public. It also presents a proposal for a typology of contemporary attacks on journalistic objectivity (emancipatory, postmodernist, populist) and analyses their main features in more detail. On the basis of standpoint theory, we conclude that members of counter publics, due to their strategic position in society, have a unique potential for constructive emancipatory critique, which can reveal that an apparently objective stance represents only the perspective of the dominant class. Concerning postmodernist and populist attacks, we, on the contrary, draw attention to the fact that these are purely antagonistic positions misused for political propaganda, especially by the representatives of the right-wing populism movements constituting an anti-public rejecting the norms of rational democratic discourse. Postmodernist critique describes objectivity as a myth and resigns on its pursuit in advance or makes demands for public broadcasting to present various perspectives without considering the criteria of truthfulness. Populist criticism of the alleged liberal bias of the mainstream media relies in turn primarily on evoking negative emotions, misinterpretations of various notions (e.g., censorship, fake news), and paranoid condemnation of elites or expert knowledge.
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