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1

Srovnání Dübenovy sbírky v Uppsale a Liechtensteinovy sbírky v Kroměříži

100%
Slimackova-Michalkova J.
Hudební věda (Musicology)
|
2008
|
vol. 45
|
issue 1-2
45-56
EN
The collection of the composer and Kapellmeister Gustav Dueben in Uppsala, consisting of about 2,300 handwritten compositions and 25 prints, represents the repertoire performed at the Royal Court in Stockholm between 1640 and 1718. It is the only relatively comprehensive collection of music manuscripts comparable with the collection of the Olomouc Bishop Carl Liechtenstein-Castelcorno in Kromeriz, created 1664-1695, which, according to its 1695 inventory, consisted of 1,397 handwritten manuscripts. In both collections, works by the same 19 composers (Italian and German, who worked mainly, or exclusively, in Italy or the German speaking regions) are found; from Bertali, Schmelzer, Bonifazio and Graziani there are identical compositions in both collections. Comparing the watermarks showed that in each collection the compositions are written on different paper, which, together with the fact that only a small portion of their repertoire is identical, supports the notion that there was no direct link between the Kromeriz and Uppsala collections. From the point of religion and geography, each of them was oriented towards different European culture centres, and the only place common to both was Vienna.
2

FRAGMENTY GOTICKÝCH ILUMINOVANÝCH KÓDEXOV Z DVOCH SLOVENSKÝCH ARCHÍVOV

100%
Buran D.
ARS
|
2004
|
vol. 37
|
issue 1-2
156-165
EN
The author describes newly discovered fragments of Gothic illuminated manuscripts. Three foils from the State archive of MV SR in Banska Bystrica, Kremnica branch (without sign.) and fragment of icunabule from the Archive of Slovak capital Bratislava (Sign. EC Lad 2/51). In the first archive, the author differentiates between fragments A (Introducing Jesus in cathedral), B (scenes with bishop's consecration of St. Apolinare) and C (figure of blessing Christ). The style of illuminations is characterized by a certain simplicity, but at the same time also by a concrete painter's style known from Prague at the turn of the 14th and 15th centuries. All three fragments got to Kremnica through Bratislava . The author thus asks, if it's possible that already around the year 1400 a cultural exchange including also liturgical codexes ane even illuminators could exist between Bratislava canonry and Kremnica vicarage. In the second archive, the author analyses the fragment of icunabule portraying king David playing harp. Characteristic figural style and ornamentation reveals the work of the Austrian painter Ulrich Schreier, illuminator of the two volume Hano's Codex. The manuscript was probably ordered by Georg Peltell von Schönberg, priest and diplomat serving the King Mathew Korvin and Emperor Friedrich III.
3
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Turystyka genealogiczna – niedostrzegana nisza

88%
Prinke R.
Turystyka Kulturowa
|
2009
|
issue 6
4-12
EN
Growing popularity of searching for information about ancestors, which continues for the last thirty years, resulted in the appearance of a new kind of tourism, noticed by professional literature only at the beginning of the current century. Genealogical tourists take trips to archives and libraries, on the one hand, and on the other – to places connected with their ancestors. The second direction should be especially recognized as being a lot different from traditional tourism, as it does not limit itself o places which are attractive. These tourists have very different motivation, closer to the pilgrimage ritual but, unlike pilgrims, they head to places which have a very individualized symbolic meaning. Standard ways of supporting tourism development by the government and by tourist industry do not apply here and new marketing methods must be worked out.
4

INŠTITUCIONALIZÁCIA PAMÄŤOVÝCH A FONDOVÝCH ZARIADENÍ V 50. A 60. ROKOCH 20. STOROČIA V OKRESE ROŽŇAVA: PRÍSPEVOK K VÝSKUMU REGIONÁLNEJ KULTÚRNEJ POLITIKY A KULTÚRNEJ STRATÉGIE 2. POL. 20. STOROČIA NA SLOVENSKU

75%
Tišliar P.
Muzeológia a kultúrne dedičstvo
|
2016
|
vol. 4
|
issue 2
75 – 85
XX
Institutionalization of memory and archival institutions in the 1950s and 1960s in the Rožňava County: A contribution towards the study of regional policy and cultural strategy in mid-20th century Slovakia
5
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Osudy osobního archivu Otakara Hostinského

75%
Kábová H., Veverka K.
Hudební věda (Musicology)
|
2010
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vol. 47
|
issue 2-3
273-284
EN
At present we do not have available any complete and thorough discussion of the fates, distribution, and condition of written materials from the estate of the Czech aesthetician and musicologist Otakar Hostinský (1847–1910), despite his undeniable importance for Czech culture. The present study offers the results of research in this area. The administrator of Hostinský’s papers after his death was Zdeněk Nejedlý, who divided them into several parts which were then deposited in various institutions according to their expected future usage. The more precious materials remained and still remain in the ownership of Hostinský’s family. Using information acquired through study in archives and from the families of Hostinský’s descendents, it has been possible to assemble a stemma showing the institutional distribution of Hostinský’s papers. The present article should help future researchers in use of sources for study of Hostinský’s life and work.
6

„KULTURRAUB“ ALEBO ZÁCHRANA KULTÚRNEHO DEDIČSTVA? EVAKUÁCIA ARCHÍVOV A KULTÚRNYCH PAMIATOK NEMECKÝMI ORGÁNMI ZO SLOVENSKA KONCOM 2. SVETOVEJ VOJNY

75%
Schvarc M.
Muzeológia a kultúrne dedičstvo
|
2013
|
vol. 1
|
issue 1
75 – 82
EN
This paper discusses the attempted theft of cultural heritage from the territory of Slovakia by German authorities at the end of the World War II. The Nazis were interested primarily in those treasures and archive collections which they considered to be “German”. With the help of Karmasin’s Deutsche Partei and with disregard for the Slovak authorities they were able to export materials of unimaginable value. However, after the war the vast part of the transported cultural heritage was returned to Slovakia.
7

DVA DOKUMENTY O ZDRAVOTNOM STAVE SLOVENSKÉHO VOJSKA NA VÝCHODNOM FRONTE V ROKU 1942

75%
Gabáni V.
Vojenská história
|
2020
|
vol. 24
|
issue 1
156 - 161
EN
The issue of the relationship between the health care and army has not been complexly processed in the Slovak military historiography so far. As yet, there are only partial probes concerning the selected issues, military health care facilities or personalities actively affecting this interaction. In the Military Historical Archive in Bratislava, in the collections of the Ministry of National Defence (hereinafter referred to as MND) Ordinary and MND Confidential, there are two documents regarding the aforementioned topic. The first document is a report on the health condition of the Fast Division (FD) units on the eastern front for the first quarter of 1942. It was drawn up by the superintendent of the FD health administration at the time when this unit was holding the defensive positions on the Mius river, taken in December of the previous year. The document’s value consists mainly in the characteristics of the most frequent diseases of the FD members, which in a number of cases related to the stay in the field conditions, poor hygiene, bad accommodation, etc. The second document was created by the superintendent of the Security Division’s (SD) health administration on the 27 May 1942, discussing the issue of establishment of the field brothels and the incidence of venereal diseases in its units (for the period from January to April 1942). It is apparent from the superintendent’s statement that the issue of brothels had occurred before but it is categorically rejected in this document. The second document has already been quoted in Oldřich Pejsa’s monograph: Slovak Military Clergy. The author subjected both documents to historical review, using the notes and explanatory notes.
8

LEGISLATÍVNA OCHRANA KULTÚRNEHO DEDIČSTVA V ČESKOSLOVENSKEJ REPUBLIKE V ROKOCH 1918-1939

63%
Orosová M.
Muzeológia a kultúrne dedičstvo
|
2013
|
vol. 1
|
issue 2
19 – 36
EN
This paper analyses laws and regulations governing the protection of cultural heritage (whether original measures or measures inherited from the legal systems of Austria and Hungary) adopted by the Czechoslovak republic in the period between the two world wars. It focuses on laws and regulations in force in Slovakia, comparing them to corresponding measures in national or Czech legal frameworks and finding that the primary purpose of such legislation was to prevent the export of movable cultural artefacts and that the legal framework of protection of cultural heritage in Slovakia was equivalent to that adopted in the Czech lands. In practical terms, however, both frameworks were of ad hoc and provisional nature and remained so until the beginning of the World War II with the lack of political as the main reason for the failure to implement a truly national and comprehensive legal framework of protection of cultural heritage.
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