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1

“Tu dici che di silvïo il parente […] ad immortale secolo andò”1 (Inf., II, 13-15): il protagonista della divina commedia di Dante come “nuovo enea”

100%
Maślanka-Soro M.
Classica Cracoviensia
|
2015
|
issue 18
241-253
EN
The protagonist of the famous poem of Dante Alighieri has a lot in common with the Virgilian Aeneas: both have a mission to accomplish, but its meaning is profoundly different: political in the case of the son of Anchises and universal in that of Dante-pilgrim. Aeneas will encounter, in the Otherworld, his father and from him he will learn about his own future as well as that of the Roman Empire of which he will become a protoplast. The disciple of Virgil in Dante will know a posthumous destiny of Man with the purpose of showing mankind the way of moral and spiritual renewal. This paper presents a comparative analysis of the figures of “old” and “new” Aeneas, involving an intertextual approach to the theme of their katabasis. The illustration of the similarities and differences between them takes into consideration the changed cultural and spiritual context and the aspiration of the Italian poet to become a “new” Virgil whose masterpiece is superior to the Aeneid both in content and form.
2
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Choreographic versions of Purcell's "Dido & Aeneas": Mark Morris and Sasha Waltz

100%
Alonso Z.
Collectanea Philologica
|
2012
|
vol. 15
ES
En este artículo se lleva a cabo una revisión del mito de Dido y Eneas en el ámbito coreográfico y se estudia la importancia que ha tenido la partitura de Henry Purcell (ca. 1688) entre bailarines y coreógrafos de la danza contemporánea. Las versiones de Mark Morris (1989) y Sasha Waltz (2005) constituyen, en concreto, dos ejemplos ideales para percibir ciertos matices en su relación con el mito virgiliano a partir de unos intereses bien diferenciados.
3

Apollo in the Aeneid

100%
Fratantuono L.
Eirene. Studia Graeca et Latina
|
2017
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vol. 53
|
issue 1-2
169-198
EN
The appearances of the god Apollo in Virgil’s Aeneid have been studied with profit as individual episodes, but rarely with attention to the progress of the poet’s employment of the god in his narrative. This paper endeavors to examine all the references to Apollo in the poem, with a view to demonstrating that the god who presided over Octavian’s victory at Actium is employed by Virgil as a key figure in his account of how Rome will ultimately be Italian and not Trojan in culture and mores.
4
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Aeneas anchisiades i pii fratres. Kilka uwag o kształtowaniu się wizerunku Eneasza w mennictwie rzymskim

86%
Kluczek A. A.
Studia Europaea Gnesnensia
|
2017
|
issue 15
53-76
EN
The article discusses certain aspects of representations of Aeneas in Roman coinage, focusing in particular on the declining period of the Republic and Augustus’ principate. At the time, Aeneas; father, Anchises, would be depicted on the coins as the sole companion of the former. Although later the figure of the parent carried on a shoulder served as an attribute denoting the Trojan hero depicted on the reverses, the early minted representations of Aeneas were not as unambiguous in that respect. This was due to the fact that portrayals of Aeneas did resemble the manner in which the Catanian Brothers were represented, with both serving potentially as allegories of pietas.
5
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Faces of Aeneas. Representations on Roman Coins and Medallions

86%
Kluczek A. A.
Studia Ceranea
|
2016
|
vol. 6
295-321
EN
On the basis of numismatic material I present aspects of the figure of Aeneas as they appear in ancient tradition. I have concentrated on the iconographic details and the arrangement of the reverse scenes which allow one to isolate the elements of Aeneas’s portrait in the coinage that are closely associated with his role as the one who, by carrying over the sacra to Italy, made way for the foundation and continuation of Rome.
6
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„Pater Aeneas, Romanae stirpis origo...”. Mit o Eneaszu i jego obecność w literaturze epoki Augusta

72%
Kluska-Jaśkowiak E.
In Gremium. Studia nad Historią, Kulturą i Polityką
|
2019
|
vol. 13
27-39
PL
Artykuł skupia się na recepcji mitu o Eneaszu jako ojcu narodu rzymskiego w literaturze epoki Augusta. Zagadnienie opracowano, opierając się na analizie wybranego materiału źródłowego, wytworzonego w epoce augustowskiej. Szczególną uwagę zwrócono na reprezentatywne przykłady wykorzystania opowieści o Eneaszu w literaturze, celem określenia roli i funkcji Trojańczyka w programie politycznym Augusta.
EN
The article focuses on the reception of the myth about Aeneas as the father of the Roman nation in the literature of the Augustus age. The issue was developed based on the analysis of a selected source material produced in the Augustan age. Particular attention was paid to representative examples, which use the story of Aeneas in literature, in order to define the role and functions of the Trojan in the political program of Augustus.
7

The sense of games and undeserved suffering Some comments on Book V of Vergil's Aeneid

58%
Śnieżewski S.
Classica Cracoviensia
|
2012
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issue 15: Leadership in Antiquity: Langauge - Institutions - Representations
205-221
EN
Many scholars believe that literary and artistic level of Book V of Vergil`s Aeneid is much lower than in the neighbouring books four and six. Nonetheless a detailed analysis of the contents and composition allows, in my opinion, to treat Book V as interesting and valuable. Vergil concentrated primarily on the sense of suffering which often befalls innocent people. The most vivid is the example of Palinurus whose undeserved and sacrificial death permits Aeneas to continue with his mission. The death of Palinurus and Dido is, I think, a symbolic farewell of Aeneas with the Trojan past and the wandering on the sea. The participants in the games are all secondary characters. By introducing them Vergil, I believe, wished to stress the importance of every man of Aeneas` crew in the fulfilling of the task set by destiny. The importance of fatum and fortuna increases exponentially in the instances where human strength and abilities fail.
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