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La formation d’une identité collective à travers les expressions de l’amour et de la haine : une analyse exploratrice des discours de supporters de foot en Allemagne et en France

100%
Koch F., Berron M.-A.
Acta Universitatis Lodziensis. Folia Litteraria Romanica
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2021
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issue 16
149-159
EN
Football is an exemplary platform where the social dynamics within and between societies can be regularly observed. In addition, online message boards are a rich resource of everyday expressions where football fans express their ‘love’ of their clubs as well as their ‘disdain’ for others. We conducted a qualitative content analysis during two seasons of Olympique de Marseille and FC Bayern Munich as well as Toulouse FC and Hannover 96. Our analysis illustrates that hateful expressions that differentiate groups are much more prevalent and therefore more determinant in the formation of a collective identity. Furthermore, the analysis confirms that the self-conception corresponds to the performance of the teams. While fans of top clubs portray themselves in a positive way because of their team’s sporting performance, fans of teams who are battling against relegation define themselves more in a negative way – feeling a form of inferiority – in order to differentiate themselves whilst still remaining attached to their own club as the club motto implies.
FR
Le foot représente de nos jours un exemple type de plateforme par laquelle les dynamiques sociales des sociétés peuvent être observées. Les forums sont des lieux virtuels riches en expressions quotidiennes où les supporters de foot expriment leur « amour » ainsi que leur « dédain » vis-à-vis de l’autre. Nous effectuerons une analyse de contenu au cours de deux saisons de l’Olympique de Marseille et du Bayern de Munich ainsi que du Toulouse FC et de Hanovre 96. Cette analyse illustre que les expressions haineuses qui démarquent les groupes sont déterminantes pour la formation d’une identité collective. De plus, l’analyse confirme que la croyance collective correspond aux performances des équipes. Tandis que les top-clubs se définissent par leur performance sportive de manière positive, les clubs relégables se définissent plutôt de manière négative – ressentant une forme d’infériorité – afin de se démarquer, ceci tout en restant fidèles à leur propre club comme le démontre leur devise.
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Fins de l’art : la réception de Hegel dans la littérature française du XIXe siècle

61%
Olivier A. P.
Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
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2022
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vol. 32
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issue Special Issue
15-35
EN
In a period of global pandemic and confinement to our homes, the end of art is not only a philosophical hypothesis, it is a fact of society. We have experienced that modern societies, those that were able to make art an absolute at one point in their history, no longer need the arts, or the physical presence of artists and spectators, or have considered them inessential, and therefore contingent. Is this what G. W. F. Hegel prophesied with his thesis of the end of art? In this paper I aim to clarify this by referring to the sources of Hegel’s lectures and by examining the reception by nineteenth-century French writers. 1) First, I give a reminder of the different ways in which Hegel’s theme of the end of art can be interpreted. 2) Then, I give a second reminder concerning the reception of Hegel’s Aesthetics in France, with a focus on the translations. 3) Finally, I propose to study three writers who determine three ways of conceiving the appropriation of Hegel in the 19th century and of the theme of the end of art: Théophile Gautier, Charles Baudelaire and Gustave Flaubert.
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