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A SUMMARY OF A STATEMENT BY A. BILLERT The importance of article by J. Stankiewicz has been uuierlined by the author who is of opinion that it deserves the more attention owing to the fact alone that it deals wiih questions until now not dealt in any more comprehensive manner. Tin author of the present statement has focussed his attention on the problem of some kind of demarcation between the protected spatial settings coming from the past times and the modern architectural and town planning solutions. At the moment when it has come to a direct contact between these two kinds of settings a crisis has arisen in the range of preservation and protection of historical monuments having its background in changes occurring in social consciousness and culture as well as a crisis of the man’s civilizational environment and within it another crisis, this time the crisis of a town as such. The next problem considered by the author consists in transmission of components of culture; ho s tat os that under modern conditions the museum concept is more and more frequently rejected, nevertheless, in every-day practice we have constantly to do with processes of pronounced isolation of the so-called „historic space” from the modern „standardization” which, as a final consequence, leads to „musealisation” . The author of the present statement is in full agreement with J. Stankiewicz in his views concerning the need to create some kind of „sanitary barrior” between the „historic space” and that standardized. Taking an a ttitude towards J. Stankiewicz’s postulate rolating to interdesciplinarity required in conservator’s measures the author expresses a view that the protection of historical monuments exists only as a problem or activity and not as an independent scientific discipline since it in itself constitutes a choice of various specializations from both fields — i.e. technical sciences and humanities. In the field conservation are active the representatives of creative disciplines and reflections as to their activ ities arise in the field of art history, those of aesthetics or history of architecture. The so-called conservation activity is a kind of activity from the sphere of culture and art its evaluation, however, will in each separate case have two aspects — i.e. analytical and critical as well. Basing on the above conclusions the author is of opinion that the solution of problem of demarcation between two environments is to be found in the modern creative activity of developing the space as some kind of entity. From this point of view it seems not important to fight against a single standardized multi-storey point block of flats entering the historic space, but to fight fo preservation of the entire spa,ce. This means the end of a certain stage in protection of historical monuments and the advent of now ideas more dialectically handling the reality.
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