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EN
The diary of Wacław Sieroszewski – writer and political activist from the Young Poland era, connected with Józef Piłsudski’s political camp – was published by Andrzej Lam in the late 1950s (as Volume 16. of Dzieła [Works] by Sieroszewski) in an abridged edition, mainly due to censorship. It is an example of a personal document, situated at the intersection of fiction, non-fiction, and historical policy. Its analysis shows how historical events and the author’s political perspective modelled his narrative in the diary, thus giving the literary text a hybrid form, which is difficult to unambiguously assign to a single genre.
PL
Pamiętnik Wacława Sieroszewskiego – młodopolskiego pisarza i działacza politycznego, związanego z orientacją polityczną Józefa Piłsudskiego – wydany został przez Andrzeja Lama pod koniec lat 50. XX wieku (jako tom 16. Dzieł Sieroszewskiego) w wersji okrojonej, przede wszystkim ze względów cenzuralnych. Jest to przykład dokumentu osobistego, sytuującego się na pograniczu beletrystyki, literatury faktu i polityki historycznej. Jego analiza pokazuje, jak wydarzenia historyczne i światopogląd polityczny twórcy modelują jego narrację pamiętnikarską, powodując, że tekst literacki przybiera formę hybrydyczną, daleką od jednoznacznej klasyfikacji gatunkowej.
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Portret i marzenie

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EN
In this article, the author discusses and reviews Andrzej Lam’s book Portrety i spotkania (Pułtusk–Warszawa 2014) which is a collection of studies of German poets from the Middle Ages until the mid-20th century. The author highlights the coherence of the publication consisting of texts written in the past 30 years. Originally, they were allocated different functions, but in Lam’s book they seem homogenous and mutually complementary. Lam’s homogenous position results from the writer’s attitude: very skilfully, he makes use of structuring tools, heading towards a hermeneutic desire to provide an outline of the writers emerging from the texts and connected with them. The author also presents the literary criticism aspect of the book: in the second part, Lam is predominantly a historian of literary criticism and its active participant.
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