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‘The most exciting thing is not‑doing‑it’, or Andy Warhol’s ‘Philosophy of Love’ on the basis of Blow Job and My Hustler

100%
Łapińska J.
Estetyka i Krytyka
|
2015
|
issue 2(37)
45-59
EN
The aim of this article is to identify characteristics of Andy Warhol’s ‘philosophy of love’, the elements of which were described in the Philosophy of Andy Warhol (From A to B and Back Again), and an analysis in this context of Warhol’s films Blow Job (1963) and My Hustler (1965). Warhol’s films are treated as an opportunity to discuss his attitude to love and sex, as they contain the key elements of his unusual ‘philosophy of love’. The artist’s biography is referenced, as are the concept of ‘impersonal narcissism’, put forth by Leo Bersani and Adam Phillips, Slavoj Žižek’s theories on the role of fantasy in a relationship, and some reflections of Susan Sontag and Esther Perel.
2
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Тенденции поп-арта в творчестве Леди Гага

72%
Zaytseva M.
Path of Science
|
2017
|
vol. 3
|
issue 2
2.1-2.15
RU
В статье выявлена связь между творческими принципами популярной певицы Леди Гаги(Lady Gaga) и культовой личности поп-арта – Энди Уорхола (Andy Warhol). На основе анализа исполнительской практики Леди Гаги выявлены особенности ее исполнительского стиля, сформировавшегося под воздействием эстетики поп-арта. Прослежена динамика становления и развития исполнительского стиля Леди Гаги.
EN
The article reveals the connection between the creative principles of the popular singer Lady Gaga and the cult personality of pop art – Andy Warhol. On the basis of analysis of Lady Gaga’s performance practice, the features of her performing style, formed under the influence of the aesthetics of pop art are revealed. The dynamics of formation and development of the performing style of Lady Gaga is followed.
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