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EN
This essay examines the iconography of the best-known relief from the renaissance Royal Summer Palace at the Prague Castle, depicting Ferdinand I of Habsburg and his wife Anne Jagiello. It highlights its marriage symbolism and the question of the dowry. In the relief Anne, heiress to the Czech Lands, gives her husband an olive branch symbolising peace. In the context of the political significance of the palace’s decoration the relief expresses Ferdinand’s view of his claim to the Bohemian throne, based on his marriage to the heiress. Due to opposition from the Bohemian Estates, this finally became his lawful right in 1545, 24 years after the royal wedding. The Italian sculptor Paolo della Stella expressed a search for a peaceful solution to Ferdinand’s succession. The relief was carved between 1540 and 1550. The interpretations do not rule out the possibility that it was made after Anne had died (1547).
EN
From the times of Vladislaus II Jagiello (1456–1516) the residence in Prague Castle had two parts. After a costly refurbishment, the Old Royal Palace was adapted as the King’s seat and a new palace was built for the Queen by the White Tower on the west side of Prague Castle. Later it became the residence of Queen Anne Jagiello (1503–1547), wife of Ferdinand I, and after her death, in 1547, it became the residence of the second-born, Bohemian Governor Archduke Ferdinand II. Although not much has survived after numerous reconstructions, one can get a rough idea of its extent and furnishings on the basis of several fragments, written sources and iconography.
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