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„Věčnost“ Arthura Rimbauda a její české překlady

100%
Kužel P.
Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
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2021
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vol. 31
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issue 2
104-120
EN
The study focuses on the significance of Arthur Rimbaud’s poem “Eternity”. It presents a literal Czech translation and a detailed commentary of the poem and compares it with other Czech translations. In addition, it describes the cultural context in which the poem was created, and it attempts to prove a hypothesis — based on the analysis of the poem — that “Eternity” is partially based on specific philosophical concepts of temporality, the absolute, and the Self. Consequently, the study implicitly polemizes with the opinion of Vítězslav Nezval, who significantly influenced the reception of Rimbaud in Czechia. Nezval appreciates Rimbaud’s free imagination, but claims there is no logical intention or philosophical background behind the meaning of Rimbaud’s poems. To prove the opposite, the study uncovers and describes the logical order and philosophical implications of the poem. At the end of the study, the author’s own poetic translation of “Eternity” is presented.
2
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Gest pośmiertnego pisania i inne „gesta” poetyckie (Verlaine, Rimbaud)

98%
Kuczyńska-Koschany K.
Poznańskie Studia Polonistyczne. Seria Literacka
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2010
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issue 17
43-65
EN
The essay undertakes to investigate the phenomenon of erotic friendship as an “intertextual friendship” and, at the same time, “somatic (mis) understanding” (German: Un-beziehung). The following considerations include a discussion on the relationship between Paul Verlaine and Arthur Rimbaud, viewed first of all as bohemian characters of bohemian life and the protagonists of the mitologised homo-erotic relationship. Beside a hermeneutic attempt at describing the intimacy shared by both poets, or stages in the development of their intimate relations (with reference to French literature of the subject and texts that have not yet been translated into Polish), the author writes extensively on the reception of the relationship of the legendary pair of friends-lovers A-war period, Agnieszka Holland’s film Total eclipse and the most recent poetical texts by Ewa Sonnenberg. The essay is complemented by some considerations on similar cases, analogous to the instance of the relationship between the two French poets: epistolary romance between R.M. Rilke and M. Tsvetaeva and, important within the context of the reception of Rimbaud in Poland - love/friendship exhibited in the letters between Andrzej Czajkowski and Anita Janowska.
3
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Entre dentelle et fragment : évolution de la tactique du vide rimbaldienne de la Saison aux Illuminationsv

85%
Rafika H.
Quêtes littéraires
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2017
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issue 7
51-60
EN
A Season in Hell and Illuminations both of these collections are considered as masterpieces of Rimbaud’s poetry. Whereas A Season in Hell is presented as his artistic testimony, Illuminations, on the other hand, is considered by critics as an abstruse writing, an enigma. Acknowledging critical scholarship on this topic, as well as inherent differences of both collections, this article will show that a link could be found between these two works. This thread, which creates what we would like to call Rimbaud’s embroidery, was created by himself through silence and words. That is this will of Rimbaud for both works and the readers that we will discuss here, a strategy that we have named: Tactic of Emptiness.
4

Imaginacja, Marsylia

71%
Kuczyńska-Koschany K.
Roczniki Humanistyczne
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2017
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vol. 65
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issue 1: Literatura polska
187-201
PL
Napisanie o (nie)możliwości spotkania w Marsylii umierającego Rimbauda, poetyckiego znawcy morza, autora Statku pijanego, i Josepha Conrada, marynarza w pełni sił, debiutanta – a w przyszłości jednego z najznamienitszych pisarzy tematyki morskiej, było od dawna moim marzeniem i zamiarem. Ten, który odchodzi. Ten, który przychodzi. To samo miejsce: Marsylia. Ten sam horyzont: Afryka. Bardzo dobry temat na esej.
EN
Writing about the (im)possibility of a meeting held in Marseille between the dying Rimbaud, a poetic expert on maritime subjects, the author of the poem The Drunken Boat, and Joseph Conrad, a sailor at full strength, a debutant – and in the future one of the greatest marine writers has long been my dream and intent. The one who goes away. The one who comes. Same place: Marseille. Same horizon: Africa. Very good topic for an essay.
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