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Enter the Dragon

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The paper is a reminiscence of my first meeting with the colleagues from the Institute of Art History of Adam Mickiewicz University, which took place at an annual conference of the Association of Art Historians in 1974, titled “Reflection on Art.” Choosing an unusual title, I wanted to convey the impetus with which a group of young art historians from Poznań entered the decent and somewhat stagnant stage of Polish art history. The critique they presented was directed against Polish academic institutions, the problematic of the conference, the empty rituals of academic life, etc. Even though I did not accept all their objections, the heated debate suddenly turned out for me to be a liberating factor, stimulating continuous critical thinking which is an antidote for spiritual and intellectual captivity.
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Wejście smoka

99%
PL
The paper is a reminiscence of my first meeting with the colleagues from the Institute of Art History of Adam Mickiewicz University, which took place at an annual conference of the Association of Art Historians in 1974, titled “Reflection on Art.” Choosing an unusual title, I wanted to convey the impetus with which a group of young art historians from Poznań entered the decent and somewhat stagnant stage of Polish art history. The critique they presented was directed against Polish academic institutions, the problematic of the conference, the empty rituals of academic life, etc. Even though I did not accept all their objections, the heated debate suddenly turned out for me to be a liberating factor, stimulating continuous critical thinking which is an antidote for spiritual and intellectual captivity.
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NOTATKA Z PREHISTORII

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XX
The author recalls the demands by museum professionals (Memorial on the status of museums in Poland) which were to be presented on the 3rd day of the Polish Cultural Congress in 1981, which was interrupted by the introduction of martial law on 13th December 1981. She indicates some changes to the museums’ situation resulting from the transformation of the political and economic system after 1989. However, she argues that changes in this field have been taking place more slowly than was expected.
PL
Autorka przypomina postulaty środowiska muzealników (Memoriał o stanie muzeów w Polsce), które miały być przestawione trzeciego dnia Kongresu Kultury w 1981 r. przerwanego wprowadzeniem 13. grudnia 1981 r. stanu wojennego. Wskazuje na niektóre zmiany sytuacji muzeów wynikające z transformacji ustroju politycznego i gospodarczego po 1989 r., sądzi jednak, że przemiany w tym obszarze przebiegają wolniej niż się spodziewano.
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