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Ateneum Marii Strońskiej, sezon 1929/1930

100%
Michalczyk B.
Didaskalia. Gazeta Teatralna
|
2022
|
issue 169-170
255-280
EN
The article describes the season 1929/1930 when Maria Strońska became the manager of the Ateneum Theatre. The main purpose of this article is to present Strońska’s artistic vision, her programme plans and her concept of theatre for working class, which she created. As the article unfolds, the repertoire of the Ateneum is reconstructed and questions are asked about the difficulties that the manageress encountered while implementing her vision. The article is based on a comparative analysis of the preserved documents, i.e. memories, reviews and the manageress’ press statements.
2
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Maski Aleksandry Śląskiej

72%
Cebera M.
Pamiętnik Teatralny
|
2020
|
issue 3(275)
105-132
EN
This article covers the artistic achievements of Aleksandra Śląska (1925–1989), a Polish theatre and film actress remembered mainly for her portrayals of German women and aristocrats.The author focuses on the emergence of this typecasting of Śląska and counters it with a discussion of her less known professional image. The article offers an analysis of a wide array of Śląska’s diverse roles, from a part in Leon Kruczkowski’s drama Niemcy (Germans), through the title role in Henry de Montherlant’s La Reine morte and Blanche in A Streetcar Named Desire, to successful appearances in comedies, such as Elwira in Aleksander Fredro’s Mąż i żona (Man and Wife). The author shows that Śląska’s generation shaped Polish culture under the People’s Republic and contributed to the development of new media. Śląska co-created the Polish school of radio play, Polish school of dubbing, and Television Theatre. The article juxtaposes the myth of a cold, unapproachable actress with the image of a multi-talented interpreter exploring the complexity of human nature, a woman of the theatre active in a number of different areas.
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