Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 4

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  BIEDERMEIER
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1

ROMANTICISM AND/OR/CONTRA BIEDERMEIER?

100%
Turecek D.
Slovenská literatúra (Slovak Literature)
|
2005
|
vol. 52
|
issue 4-5
243-251
EN
The term Romanticism presents a traditional way of inner structuring and explanation of the history of Czech literature of the 19th century, but this term has been used differently in particular literary historical concepts. The pluralistic concept of Romanticism has not had a firm position in the Czech literary historical context, which is contrarily to the Slovak concept represented by O. Cepan and P. Kása. In the Czech concept Vodicka's model is used, designating the works of Jungmann's generation as Pre-Romanticism and limiting Romanticism as its subjective, Mácha's variant. The character of the true Romantic texts does not prove this limited conception. These texts were written in the second period of the national revival but some Romantic features also appeared in the works with syncretistic character, connecting for example Romanticism and Classicism. Biedermeier was understood by the Czech literary historians in the latest years as a negating 'contrafacture' of Romanticism and was used as a synonym for a part of work of the 30s called in the Vodicka's concept 'convergion of literature and life'. The translation of German sentimental tragedies of the 20s and the 30s of the 19th century has shown that axiological horizon, basic groups of motives and also typical poetics of Biedermeier have been well known in the Czech environment since the 20s. There were elements of subjective Romanticism co-existing here. Since the 19th century the mutual proportion between the Romanticism and Biedermeier has changed in the Czech culture from a complementary belonging to polemic contradiction. In a modern concept of Czech literature it would be useful to accept the thesis of P. Zajac about pulsating, synoptic character of literary processes as well as to use and in maximal possible measure to extend a subject field of validity of Cepan's concept of Romanticism as an innerly pluralistic, open structures with wide transitionary zones and possibilities of convergence and meeting with phenomena of different nature.
2
Content available remote

Romantismus a biedermeier: směry komplementární či disjunktivní?

88%
Berkes T.
Bohemistyka
|
2011
|
vol. 11
|
issue 3
159-166
EN
The study focuses on the relation between Romanticism and Biedermeier, considered as literary movements in pre-March Czech literature. This study’s basic thesis is that we can interpret Biedermeier only in the context of Romanticism, because only in relation to Romanticism is its fundamental semantic distinction obvious. The study analyses the stylistic inosculation of both movements, on the basis of Czech texts with Hungarian and Polish parallels.
3

REFLEXIA BIEDERMEIERU V SLOVENSKEJ LITERÁRNEJ HISTORIOGRAFII

88%
Vojtech M.
Slovenská literatúra (Slovak Literature)
|
2021
|
vol. 68
|
issue 5
479 – 494
EN
The article provides an insight into the conceptualisations of Biedermeier in Slovak literary historiography from the 1930s to the present day. It maps the process of establishment of the term in literary-historical discourse in the first half of the 20th century and points out the role of German Literary Studies played in it. The article analyses the transformation of the term adopted from German literary theory in the 1930s and 1940s. In these decades, M. Pišút and A. Mráz applied Biedermeier to the study of Slovak literature. They identified features of this style – alongside the dominant Classicism and the early Romanticism – in several literary works and authorial styles. In the latter half of the 20th century, Biedermeier was researched by S. Šmatlák, V. Marčok, and J. Noge. The article also touches upon typological definition of Biedermeier in Slovak poetry and fiction of the 19th century, the relationship of this style with pre-Romantic and Romantic literature, the revitalisation of Biedermeier in the second half of the 19th century, and current research that focuses on Biedermeierian configurations of Realism and looks for its origins in pre-1815 texts.
4

BIEDERMEIER. UMĚNÍ A KULTURA V ČESKÝCH ZEMÍCH 1814 – 1848. OTÁZKA ŠTÝLU

75%
Beňová K.
ARS
|
2009
|
vol. 42
|
issue 2
351-354
EN
The article offers information on the exhibition 'Biedermeier. Art and Culture in the Czech countries 1814 - 1848' and the resulting extensive publication (527 pp.), both organized and published in 2008. It presents basic insight according to the logical structure of the publication: Predispositions and Roots, Applied Arts and Life-style, Biedermeier in Fine Arts and Tradition and Modernity and the Catalogue comprised of approximately 700 entries.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.