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1

REMESELNÁ VÝROBA AKO KULTÚRNOIDENTIFIKAČNÝ PRVOK LOKÁLNEHO SPOLOČENSTVA A JEJ SPROSTREDKOVANIE V SÚČASNÝCH PODMIENKACH

100%
Krišková Z.
Etnologické rozpravy (Ethnological Disputes)
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2011
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vol. 18
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issue 1-2
108 – 121
EN
The intention of author ś thesis is to monitor musealization possibilities of blueprint handicraft through the reconstruction of manufactory on the basis of deep blueprint tradition in the monitored locality (and also in Spiš) and on the basis of existing objects from the manufactory (Hranovnica ś ownership today) – well-preserved blueprint mangle as a unique technical monument and other production-technological mobiliari in the regional museum ś ownership. Simultaneously, the dual alternative of revitalization (in the sense of the traditional handicraft production renovation) is marginally monitored.
2

KULTÚRNE DEDIČSTVO A JEHO POTENCIÁL V KONTEXTE UDRŽATEĽNÉHO ROZVOJA: MODROTLAČ AKO KULTÚRNOIDENTIFIKAČNÝ PRVOK NA REPREZENTATÍVNOM ZOZNAME NEHMOTNÉHO KULTÚRNEHO DEDIČSTVA

88%
Krišková Z.
Muzeológia a kultúrne dedičstvo
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2018
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vol. 6
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issue 2
95 – 106
EN
The study follows the inter-ethnic, economic and socio-cultural links of the blueprint. As a specific product of traditional craftsmanship, it is closely related to the history and culture of our ethnicity. This element of cultural heritage captures not only its material, but also social contexts. It accentuates the inter-ethnic relations of the blueprint with an emphasis on the issues of cultural identity. This is documented by the idea of a common nomination of the technology of blueprint making into the UNESCO Representative List of Intangible Cultural Heritage (Slovakia, Czech Republic, Austria, Hungary, and Germany). The condition was that it had to be first entered on the national lists of cultural heritage. The study is based on a long-term ethnological field research in the Spiš region. Its aim is to monitor the condition and possibilities of revitalizing the blueprint as one of the basic presumptions of sustainability within our cultural heritage.
3
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Proměny produkce modrotiskové dílny Jochových ve Strážnici mezi léty 1906–1993)

63%
Binderová K.
Národopisná revue (Journal of Ethnology)
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2012
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vol. 22
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issue 2
93 – 103
EN
The essay speaks about the almost ninety-years-long history of the blueprint workshop in a small Moravian town Strážnice, which is run by family Joch. It submits brief information about blue-print tradition in the region as well as about the conditions for workshop´s work; it deals also with peculiarities of the blue-print production at this dying workshop between 1906 and 1951, comparing them with the production in the following period (1954-1993). Within the aforementioned two periods, Jochs´ blueprint workshop was going through significant changes. In its original form, the workshop produced blueprint only for a narrow group of inhabitants living in rural area around the town of Strážnice. They used the blueprinted fabrics as a usual consumption material for their garments. The blueprint motifs were adapted to this way of use as well. With the change of political regime, the workshop became in 1954 a part of a centralized organization taking care for the so-called folk artistic manufacture. Under the head of this organization, the blueprint fabrics were modified in products maintaining their traditional basis but replying to modern requirements in the branch of textile production. The products were intended for all those appreciating especially the cultural value of a new piece of work.
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