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BORODÁČOVI CHLAPCI NA STRÁŽI

100%
Maťašík A.
Slovenské divadlo (Slovak Theatre)
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2017
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vol. 65
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issue 2
158 – 171
EN
This study deals with the production of the play Chlapci na stráži [Boys on Guard], which was awarded in a competition organized on the occasion of the twentieth anniversary of the establishment of Czechoslovakia in the spring of 1938. It was written by Ján Borodáč, the artistic director of the Drama Company of the Slovak National Theatre, under the pseudonym of Ján Debnár. By the time it was premiered on 29 October 1939, there had been significant political changes. Following the Munich Agreement, Czechoslovakia, based on the decision of the prime ministers of France, Great Britain, Italy and Germany, had lost ethnically mixed Czech-German borderlands, President Eduard Beneš had offered his resignation and had gone into exile, and Slovakia had got the autonomy it was promised by the Pittsburgh Agreement (an obligation that had gone unfulfilled for long). The play which was supposed to celebrate the anniversary of the Czechoslovak Republic paradoxically acquired a new meaning under the pressure of these changes – it celebrated the autonomy and called for a defiance of revisionist pressures from Horthy’s Hungary.
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JÁN BORODÁČ A JEHO PRVÉ KROKY V ŽIVOTE I V DIVADLE

61%
Mišovic K.
Slovenské divadlo (Slovak Theatre)
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2017
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vol. 65
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issue 2
101 – 120
EN
This paper presents little-known historical contexts of the life and production of the first Slovak professional director Ján Borodáč (1892–1964). It follows his private life, first encounters with theatre and especially his two-year studies in Prague. Its ambition is to offer several hypotheses which are supposed to elucidate the basic issues of Borodáč’s later production. It was namely during his youth and first encounters with practical theatre life that Borodáč’s views of theatre, which influenced Slovak professional theatre until the 1960s, were formed.
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