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EN
In the article, the author has analyzed some myths, controversies and inaccuracies concerning the genesis, course and results of the armed expedition by Grand Vizier Kara Mustapha Pasha against Vienna in 1683. Some of them came into existence almost immediately after the victory at Vienna John III Sobieski, others were created or retained for various reasons later, especially in the Polish literature of the subject. One of the main purposes of the article is also the analysis of the media and film image of the Battle of Vienna. The article is an attempt to answer some research questions and some hypotheses on the basis of such written sources as the Turkish chronicles and the available literature of the subject.
EN
This paper explores the Dutch perceptions of the Polish king John III Sobieski before his famous victory over the Turks at the 1683 Battle of Vienna. Sobieski’s military triumphs and rise to power in the 1670s elicited various favourable responses from the Dutch Republic, most notably several prints by the etcher and engraver Romeyn de Hooghe. His prints laid the foundation for Sobieski’s image as a great European and Christian military leader, but also a specifically Polish and Catholic hero. Sobieski’s war efforts and the image formed of him by De Hooghe cohered with the negative Dutch perceptions of the Turks, as well as with Poland-Lithuania’s reputation as a bulwark of Christendom. The countless glorifying prints, poems and other European responses to Sobieski after his victory at Vienna were in many cases inspired by the image of the Polish monarch created in the Northern Netherlands during the 1670s.
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