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EN
The article examines the breakthrough of Bedouin women in Northern Israel, based on the testimony of twenty young Bedouin women who did not accept the ‘traditional’ role of the woman, in the family in particular and in Bedouin society in the village in general. This group of women succeeded in breaking the boundaries of the tribe and struggled for the right to complete high school and even to study in the institutions of higher education.
PL
The paper shows a review of the changes that have occurred in the wedding ceremony and the process of the choosing of the spouse among the Bedouins in the North of Israel, in comparison between past and present, with emphasis of the changes that have occurred in this process. The findings of the research study are based on field research and observations in the Bedouin community in the North of Israel.
EN
This article examines whether well-known dichotomous concepts may be of use for understanding social and cultural processes in an era where neoliberal economies and global movements of people, matters and ideas are prevalent. The study focus is on villagers with a Bedouin background on the desert outskirts of Dubai Emirate. The rapid development they have been exposed to during the last decades has caused increased movement between different locations. There will be an examination of how the Bedouin, and especially younger women, experience and relate to these locations. This encompasses in particular how they interpret the desert and how they interrelate to different types of actors in each space
ES
La obra de los poetas arabigo-andaluces es un puente entre la cultura oriental y occidental. Sus raíces se remontan al siglo VI, cuando las primeras canciones beduinas resonaron en las áreas ilimitadas del desierto de Arabia. Sus ecos resonaron en la poesía de los trovadores provenzales. Los motivos de esta poesía se pueden encontrar en las obras de los poetas del Renacimiento, incluso en las de Petrarca. Los elementos de la poesía andaluza también fueron visibles en la poesía de la corte española del siglo XVI. Las formas poéticas características de esta poesía todavía aparecieron en la poesía del siglo XX: fue alcanzada por al menos uno de los poetas españoles más destacados, Federico García Llorca. Su mayor prosperidad fue en los siglos X y XI, y entre los poetas andaluces más destacados se encontraban tanto hombres como mujeres. El motivo principal de esta poesía era el amor incumplido, que seguía siendo el elemento dominante de la poesía moderna de la corte europea.
EN
The poetry of Arab-Andalusian poets is a bridge between Eastern and Western culture. Its roots date back to the sixth century, when the first Bedouin songs resounded in the limitless areas of the Arabian desert. His echoes resounded in the poetry of Provençal troubadours. Traces of this poetry can be found in the works of Renaissance poets, including Petrarc. Elements of Andalusian poetry were also visible in the poetry of the Spanish court since the 16th century. The characteristic poetic forms still appeared in 20th century poetry – at least one of the most outstanding Spanish poets, Federico Garcia Llorca, reached for it. Its greatest prosperity was in the 10th andd 11th centuries, and among the outstanding Andalusian poets were both men and women. The main motive of this poetry was unfulfilled love, which remained the dominant element of modern European court poetry.
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