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Violence as Spectacle: Happy Gothic in Ben Aaronovitch’s ”Rivers of London”

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Kędzierska A.
Lublin Studies in Modern Languages and Literature
|
2019
|
vol. 43
|
issue 2
DE
Der Artikel enthält Zusammenfassungen nur in Englisch.
EN
Discussing the specificity of the Gothic plot in Ben Aaronovitch’s Rivers of London, this study focuses on the theatricality of crime which, by blending violence and laughter, by transforming policemen into performers and criminals into artists, also highlights the fact that various methods of detecting and law enforcement have thespian roots.
FR
L'article contient uniquement les résumés en anglais.
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