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Lethal Program of Culture vs the Whole of Presentation. Presentation of Body without Organs

100%
Doda-Wyszyńska, A.
Journal of Applied Cultural Studies
|
2016
|
vol. 2
EN
The culture of signs is a recurrent term in philosophy. It does not allow mindless programs to win. Thanks to it, it is possible to put trust in model, holistic approaches rather than the linguistic determination of meanings. The process of departing from philosophical reflection, which has always been holistic, expressed with the diagram: ideas – notions – definitions, is here reversed. Presentations allow the return to ideas; ideas have more of the imaginary than the symbolic. The concept of the Body without Organs depicts a new form of sensualisation directed not at gaining permanent representations but at the possibilities of switching various functions of experience.
2

Anety Grzeszykowskiej schizoanalityczne sporządzanie Ciała bez Organów

51%
Oczkowska K.
Kwartalnik Filmowy
|
2020
|
issue 111 Zmysły i afekty
39-53
PL
Punktem wyjścia tekstu jest tryptyk wideo artystki wizualnej Anety Grzeszykowskiej Black (2007), Ból głowy (2008) i Bolimorfia (2008). Autorka omawia te prace z perspektywy schizoanalizy, której materialistyczny i transcendentalny program Gilles Deleuze i Félix Guattari wyłożyli w dwóch tomach Kapitalizmu i schizofrenii. Centralnym problemem staje się w niniejszym wywodzie kategoria Ciała bez Organów, a więc podstawowy przedmiot praktyki schizoanalitycznej, opartej na nowej koncepcji nieświadomego i produkcji pragnienia. W artykule została podjęta próba odpowiedzi na pytanie, czy ucieleśnienie w eksperymentalnych filmach artystki pozwala na sporządzenie Ciała bez Organów oraz jak odbiorca lub odbiorczyni za pomocą afektywnego odczuwania doświadcza schizoanalitycznego stawania-się, bowiem w ujęciu Deleuze’a i Guattariego afekt jest podstawowym elementem współczesnego kina.
EN
The starting point of the text are three short films by visual artist Aneta Grzeszykowska: Black (2007), Ból głowy (Headache, 2008) and Bolimorfia (Painmorphia, 2008), analyzed from the perspective of the Gilles Deleuze and Félix Guattari’s schizoanalysis, whose materialistic and transcendental program they proposed in Capitalism and Schizophrenia. The central problem in the essay is Body without Organs, the basic object of schizoanalytic practice, which draws on a new concept of the unconscious and the production of desire. The text attempts to determine whether the embodiment of the artist’s experimental films allows her to prepare a Body without Organs, and, secondly, how the spectator experiences it affectively. In Deleuze and Guattari’s view, the affect is a basic element of modern cinema.
3
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Lze ze sebe udělat Tělo bez Orgánů?

51%
Slavík B.
Slovo a smysl - Word & Sense
|
2022
|
vol. 19
|
issue 41
75-91
EN
The aim of this study is to examine the concept of thinking as it appears in the works of the French post-structuralist philosopher Gilles Deleuze (including texts co-authored with Félix Guattari). More narrowly, the article focuses on the ways in which these authors draw inspiration for their definition of thinking from the works of French poet and playwright Antonin Artaud, and formulates a thesis in close connection to works by contemporary philosopher Jeffrey A. Bell. Bell, who also focuses on Deleuze’s notion of thinking, defines the dynamics of Deleuze’s thought through the concept of the ‘dynamic system’, referring to a form of conceptual consistency that, on the one hand, does not consist in stable identifications, or representation, yet does not, on the other, fall into pure indiscernibility, or chaos. Against the background of relevant discussions by the authors in question — Deleuze, Guattari, Artaud, and Bell — the study aims to conceptualise literary language as a structure that unfolds in space, and that can be understood as a fluid field between representation and chaos. The study also includes critical reflection on a similar idea by Jacques Derrida.
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