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Motywy polskie w twórczości krytycznoliterackiej Arriga Boito. Od Mickiewicza do Zaciśniętej pięści

100%
Filonik A.
Colloquia Litteraria
|
2023
|
vol. 34
|
issue 1
113-126
EN
Arrigo Boito’s (1842–1918) relationship with poland has been studied extensively since 1963, when Walerian preisner published a monographic study of Boito and his connections to poland. In subsequent years, additional publications focusing on this artist with polish roots have appeared. The article on polish motifs in Boito’s critical and literary work summarizes the influence of polish literature, particularly the works of Adam Mickiewicz, on the Italian’s oeuvre. This article not only builds on the research of previous scholars but also offers new insights and observations.
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Stage metaphors in Verdi's Otello : Miloš Wasserbauer's State Theatre production (Brno 1967) in the context of Otello's staging tradition

48%
Havlíčková Kysová Š.
Theatralia: Revue současného myšlení o divadelní kultuře (Theatralia: The revue of contemporary thought on theatre culture)
|
2016
|
vol. 19
|
issue 2
29-58
EN
The article deals with the stage metaphors of Verdi's Otello with particular interest in the 1967 Brno production, directed by Miloš Wasserbauer. The main metaphor discussed is that of containment. The author compares Wasserbauer's interpretation with former and later productions depicting the main stage metaphors. The first part of the article deals with the stage metaphors inherent in both Boito's libretto of Otello and in Shakespeare's Othello. The second part of the article focuses on essential elements of staging which are rooted in Otello (including the score). The third part analyses the staging practice of Otello with special regard to Wasserbauer's production. The methodological apparatus of the article is inspired by the Conceptual Metaphor Theory (CMT).
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