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EN
This paper considers the impact of British membership of the European Union (EU) on the development of an EU security policy through the Common Security and Defence Policy (CSDP), and on the security policy-making of the British state. It does this through utilising a framework of Europeanisation, whereby policy is both uploaded from the national level to the EU level, and reciprocally downloaded from the EU level to the national level. I argue that this has played a role in shaping British approaches to security policy, whilst ensuring that the CSDP has been clearly positioned to support, rather than supplant, NATO as the premier security organisation in Europe.
Cybersecurity and Law
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2024
|
vol. 11
|
issue 1
98-104
EN
This article touches on the issue of understanding and approach to the use of AI by the British army from the perspective of a representative of the British armed forces. The article will address the issues of tripartite division as to the essence of the problem today. This article was an excellent part of the author’s speech delivered during the international conference 2023 Warsaw Cyber Summit.
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EN
The British political system is unusual in many aspects. First of all, Britain lacks a written constitution. The country’s political system has long appeared a model of stability in a changing world. It should be noted that European integration has had a considerable impact on the British political system. However, the election of Tony Blair government in 1997 was a starting point towards serious constitutional reforms. One of the most important was the devolution and The House of Lords reform. Apart from it Human Rights and Freedom of Information Act were introduced. In 2000 a directly elected mayor of London was elected. In 2010 a coalition government was established with David Cameron as the Prime Minister from the Conservative Party. The second were the Liberal Democrats. This coalition in itself was unusual in Britain’s post-war history. The set of changes in the British political system was an important part of the coalition agreement. The first stage was The Parliamentary Voting System and Constituencies Act 2011 which provided for a referendum on the voting system for UK Parliament and reduced the number of constituencies. The second was The Fixed-term Parliaments Act 2011 which set the date of the next general election as 7th May 2015 and on the first Thursday in every fifth year thereafter. There are only two circumstances when early elections can be held. The Monarch no longer dissolves Parliament, but the Act does not affect her/his power to prorogue Parliament. In 2011 proposed reforms to the royal succession were also announced. They changed the rules of succession and the first-born child of a monarch would be heir apparent regardless of gender. Apart from it there were plans to reform the House of Lords again. Its current serving members were to be replaced by a semi-elected house of as few as 300 members (240 elected and 60 appointed). The plans failed, because they did not gain acceptance. Constitutional changes since 1997 have been extensive, but there was no holistic view on the reform process. Nowadays the country faces the possible separation of Scotland, which could lead to the breakup of the United Kingdom. It could be a revolutionary change of the British political system. However, there are close links between Scotland and the rest of the country and in all probability the status quo will prevail.
EN
Can a comic book communicate support to political status quo and strive to educate a society of obedient citizens who share common conservative values? Can it, in other cases, encourage tough questions and sound rebellious? And why are graphic novels so efficient as means of propaganda and ideological impact? Selected stories from “Commando” and “Battle” war comic series are discussed along with Alan Moore’s and David Lloyd’s V for Vendetta in order to look at hierarchical versus anarchistic political communication in British graphic novels. Special attention is paid to uniqueness of comic books as a medium.
EN
The article deals with the peculiarities of talent management programmes implementation at the top British, American and Canadian universities. The essence of the main concepts of research - talent and talent management - has been revealed. Talent management is referred to as the systematic attraction, identification, development, engagement, retention and deployment of those individuals who are of particular value to an organization, either in view of their “high potential” for the future or because they are fulfilling business/ operation-critical roles. The factors that drive the development of talent management at the universities have been defined. The benefits that can be obtained as a result of talent management programmes implementation in higher education institutions have been pointed out. The differences in talent management programmes implementation at the universities of Great Britain, the USA and Canada have been found out. These differences depend mainly on the human resources policy of the institution represented in its strategic plan. It has been concluded that most top British and American higher education institutions run talent development programmes, but the target categories and forms of their implementation greatly differ. Canadian universities in the human resources policy focus on professional development of staff and faculty, but do not have special talent management programmes. Progressive conceptual ideas of foreign experience that can be used in practice of Ukrainian universities have been considered.
EN
Can a comic book communicate support to political status quo and strive to educate a society of obedient citizens who share common conservative values? Can it, in other cases, encourage tough questions and sound rebellious? And why are graphic novels so efficient as means of propaganda and ideological impact? Selected stories from “Commando” and “Battle” war comic series are discussed along with Alan Moore’s and David Lloyd’s V for Vendetta in order to look at hierarchical versus anarchistic political communication in British graphic novels. Special attention is paid to uniqueness of comic books as a medium.
PL
Czy komiks może być wyrazem poparcia dla politycznego status quo i próbą edukacji uległych konserwatywnych obywateli? A w innym wypadku, czy może mieć wywrotową wymowę i zachęcać do stawiania trudnych pytań? Z jakiego powodu powieści graficzne sprawdzają się tak dobrze jako środek propagandowy, kształtujący podejście do ideologii? Analizie ukierunkowanej na odkrycie hierarchicznej lub anarchistycznej komunikacji politycznej poddane są wybrane historie z serii komiksowych „Commando” oraz „Battle”, obok V jak Vendetta Alana Moore’a i Davida Lloyda. Uwagę zwrócono na unikalny charakter komiksu jako medium.
EN
The Middle East is known for its anti-western attitudes. Despite that, many Arab governments pursue pro-western policy. One of the countries that cooperates with Europe and the USA is Jordan. The specific political stance of the Hashemite monarchy has, however, strong historical reasons and results from untypical conditions of this state. One should mention that the very formation of Jordan resulted from the cooperation of British authorities with the Hashemite. The state was formed in 1921, at first under the name of Transjordan, in result of political decisions of London. In 1921–1956 Amman cooperated with Great Britain. The fact that in 1946 Jordan gained independence did not change a lot. The country of the Hashemite remained dependant on the British. The symbol of this unequal cooperation was the person of John Bagot Glubb. This British offi cer became the commander of the Jordan army. The Arabs considered him as a representative of the empire, but he himself was convinced that he was serving the Arab interests. Despite the fact that the development of Jordan depended on donations of London, the authorities in Amman maintained freedom of decision making. In 1956 king Hussein removed J.B. Glubb from the country and broke the alliance with the Great Britain. The Hashemite dynasty rejected the relations with London so as to win over the Arab nationalists. At the same time king Hussein I established a strict but informal alliance with the USA. It was Washington that started to donate the state treasury and its armed forces. This cooperation has continued until today. Simultaneously, Amman was able at moments to oppose the policy of the USA. It happened in 1967 and in 1990–1991 during the first conflict of the USA with Iraq, when Amman supported Baghdad. Generally speaking, however, the Jordan regime maintained its prowestern option. The Hashemite government strives first and foremost to maintain stability of the monarchy system. Cooperation with the USA, and previously with the British did not result, however, from ideological reasons, but serving the basic aim. At the same time, in case of the Hashemite, cooperation with Anglo-Saxons has long tradition and serves well their political assumptions.
PL
Region Bliskiego Wschodu jest znany z antyzachodnich nastrojów. Mimo to wiele rządów arabskich prowadzi prozachodnią politykę. Jednym z państw współpracujących z Europą i USA jest Jordania. Taka opcja polityczna monarchii haszymidzkiej ma jednak głębokie przyczyny historyczne i wynika z nietypowych uwarunkowań tego państwa. Należy przypomnieć, że samo powstanie Jordanii wynikało ze współpracy władz brytyjskich z Haszymidami. Państwo to utworzono w 1921 r. początkowo pod nazwą Transjordania, w wyniku decyzji politycznych Londynu. Od tego czasu do 1956 r. trwała współpraca Ammanu z Wielką Brytanią. Fakt, że w 1946 r. Jordania uzyskała niepodległość niewiele zmienił – państwo Haszymidów pozostawało zależne od Brytyjczyków. Symbolem tej nierównorzędnej współpracy była osoba Johna Bagota Glubba. Ten brytyjski ofi cer stał się głównodowodzącym armii jordańskiej. Arabowie uważali go za przedstawiciela imperium, on sam jednak był przekonany, że służy interesom arabskim. Mimo, że rozwój Jordanii zależał od dotacji Londynu, władze w Ammanie zachowały swobodę decyzji. W 1956 r. król Husajn I usunął z kraju J.B. Glubba i zerwał sojusz z Wielką Brytanią. Dynastia haszymidzka odrzuciła związek z Londynem, by pozyskać nacjonalistów arabskich. Jednocześnie król Husajn I nawiązał ścisły, choć nieformalny, sojusz z USA. To Waszyngton zaczął dotować skarb Jordanii i jego siły zbrojne. Współpraca ta trwa do dziś. Jednocześnie Amman potrafi ł w pewnych momentach przeciwstawić się polityce USA. Tak było w 1967 r. i w latach 1990–1991 w czasie pierwszego konfliktu USA z Irakiem, podczas którego Amman popierał Bagdad. Generalnie jednak reżim jordański utrzymywał opcję prozachodnią. Rząd haszymidzki dąży przede wszystkim do utrzymania stabilności ustroju monarchicznego. Współpraca z USA, a wcześniej z Brytyjczykami, nie wynika z założeń ideowych, lecz służy temu podstawowemu celowi. Jednocześnie współpraca z Anglosasami ma w przypadku Haszymidów długą tradycję i dobrze służy ich założeniom politycznym.
PL
Artykuł jest próbą podjęcia refleksji nad miejscem zwyczaju i tradycji w brytyjskiej konserwatywnej tradycji myślenia o polityce. Postawiony zostaje problem, na ile wartości te są dla konserwatystów autonomiczne, a na ile zależne od konkretnych idei i treści porządku politycznego. Wyodrębniono cztery zasadnicze podejścia do zwyczaju i tradycji ze względu na ich funkcje oraz wartość: trzy pozytywne i jedno, co ciekawe, negatywne. Rozważania prowadzone są na podstawie koncepcji: Johna Fortescue, Richarda Hookera, Edmunda Burke'a, Thomasa Carlyle'a oraz Gilberta Keith Chestertona.
EN
The aim of the article is to present an intriguing issue of multiculturalism in Durban, South Africa. The city’s social and cultural rapid development is based on tripolar culture of the African, Asian and European origin. Strongly rooted native Bantu culture repre-sented since 18th century by the Zulu tribe which collided with the European culture of Dutch and British origin. That is complemented by the rich Indian culture, which since the second half of the 19th century played a significant role in the development of the city.
PL
Tematem niniejszego artykułu jest przedstawienie intrygującego zagadnienia jakim jest wielokulturowość południowoafrykańskiej metropolii Durban. Szybki rozwój społeczny i kulturalny miasta ma swe podłoże w trójbiegunowej kulturze rodem z Afryki, Azji i Europy. Silnie zakorzeniona kultura Bantu reprezentowana od XVIII wieku przez plemię Zulusów, zderzyła się już w XIX wieku z napływową kulturą europejską, najpierw holenderską a następnie brytyjską. Całość uzupełnia bogata kultura indyjska, która od drugiej połowy XIX wieku odgrywa znaczącą rolę w rozwoju miasta.
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