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Bezdroża i ruiny. Flandria Bruno Dumonta

100%

Kempna-Pieniążek M.

Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura

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2020

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vol. 12

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issue 1

59-69

EN

The paper presents Bruno Dumont’s vision of Flanders. A French director from Bailleul makes no comments on today’s situation of the region, nor does he directly speak of its history. However, he uses its landscape in many different ways in the process of constructing his tales of contemporary post-secular world. In such films as The Life of Jesus, Humanity and Flanders, as well as in TV series L’il Quinquin and Coincoin and the Extra-Humans, locality and topography of Flanders play the role of a microcosmos in which problems observed in the macro scale may be clearly seen.

PL

Artykuł dotyczy obrazu Flandrii zawartego w filmach Bruno Dumonta. Pochodzący z Bailleul francuski reżyser nie komentuje aktualnej sytuacji regionu ani nie odwołuje się wprost do jego historii, na różne sposoby wykorzystuje jednak flandryjski pejzaż do konstruowania opowieści o współczesnym postsekularnym świecie. W filmach takich jak Życie Jezusa, Ludzkość czy Flandria, tak samo jak w serialach Mały Quinquin oraz Coincoin i Nieludzie, flandryjska lokalność i topografia funkcjonują jako mikrokosmos, w którym uwidaczniają się problemy obserwowane w skali makro.

2

The Life of Jesus by Bruno Dumont

83%

VON HORN M.

Images. The International Journal of European Film, Performing Arts and Audiovisual Communication

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2016

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vol. 19

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issue 28

300-330

PL

The thesis will focus on analysing what “ The Life Of Jesus” is about and how this is portrayed through the main character, Freddy. It will discuss the concept of the filmie character as a “common human being”, who does not have access to intellectual reflection and verbal articulation of emotional conflict and crisis, but who, at the same time, is capable of feeling a great deal. He feels the emotional conflict and crisis that make up the story. I will also attempt to step inside the same filmic character itself and analyse how to visualize the morals, ethics and emotions that the character cant verbalize or communicate in any direct or intellectual way. Bruno Dumont speaks about filming the inside of a person as his highest dream. I will discuss film directing using The Life Of Jesus as an example, but I will also draw on my own experiences as a filmmaker.

3

Poświęcić niepewność – prolegomena do badań nad kinem postsekularnym

48%

Piskorska A. M.

Images. The International Journal of European Film, Performing Arts and Audiovisual Communication

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2021

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vol. 30

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issue 39

47-66

EN

This article undertakes the issue of defining film phenomena which put forward questions of a primary religious nature (about the meaning of life, source of evil, life after death, the existence of Absolute, etc.) in a way that is independent from major religious traditions. The author posits that describing this phenomenon in the case of European film culture is done best by employing the philosophical thought of postsecularism. Utilizing Mieke Bal’s method of cultural analysis, the author takes as an example the term “sacrifice” to point to the existence of different models by which religious topics are undertaken by the cinema. This leads to a preliminary typology of the phenomenon which differentiates between ‘apologetic’ and ‘critical’ films and, furthermore, between films that refer to particular religious traditions and those expressing a postsecular perspective.

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2 Images. The International Journal of European Film, Performing Arts and Audiovisual Communication

1 Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura

1 Kempna-Pieniążek M.

1 Piskorska A. M.

1 VON HORN M.

1 2021

1 2020

1 2016

Bezdroża i ruiny. Flandria Bruno Dumonta

The Life of Jesus by Bruno Dumont

Poświęcić niepewność – prolegomena do badań nad kinem postsekularnym