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1

Ovid's Tree catalogue.and the aesthetics of the Metamorphoses

100%
Acel Z.
Antik Tanulmanyok (Studia Antiqua)
|
2007
|
vol. 51
|
issue 2
239-273
EN
The tree catalogue (10, 90 - 106) in Ovid's 'Metamorphoses' is a piece hardly yielding to interpretation. Inherently relating to the motives of Book 10, it anticipates the main themes of the song of Orpheus and builds upon the tradition of 'ekphrasis' and 'locus amoenus'. The botanical names refer to particular narratives, making by this way for the basic unity of the text. The catalogue, itself a representative of the literary approaches, artistic style and horticulture of the urbanitas, can be read as the manifestation of a new theory of art that redefines the relationship of ars and natura. A reconstruction of the conceptual development of 'mimesis' may lead to a better understanding of the tree catalogue and of the whole epic. At the same time, it may also bring contribute to a profound comprehension of the theory of art, either implied or overtly expressed in 'Metamorphoses', without seeking for the concepts of contemporary literary criticism.
2
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Soubor rukopisných map plzeňského panství v období raabizace koncem 18. století

88%
Marečková J.
Historická geografie (Historical Geography)
|
2010
|
vol. 36
|
issue 2
197-224
EN
The topic of raabisation maps has not been dealt with much yet which is why this paper intends to point out the significance of these maps. They are not only a source of information for the reconstruction of the historical landscape in the late 18th century, but also an intersting probe into the financial and legal circumstances which underwent signifiant changes due to raabisation.
3

KATALÓG VOJNOVEJ VÝSTAVY BANSKOBYSTRICKÉHO 16. VLASTIBRANECKÉHO PEŠIEHO PLUKU Z ROKU 1918

75%
Chorvát P.
Vojenská história
|
2016
|
vol. 20
|
issue 4
137 - 151
EN
In the introduction, the author informs that the Military exhibition of the 16th Home Guard (Patriotic) Infantry was inaugurated on 29 June 1918 in Banská Bystrica. The exhibition was installed in the rooms of the so-called small training ground of the regiment. The opening was attended by several social elites of the town of Banská Bystrica as well as the County of Zvolen, officers of the replacement battalion or the field regiment and other invited guests. The exhibition was aimed at presenting various works of art of the regiment members (active and reserve ones), originating since the outburst of the conflict. In addition, the military booty materials and other items captured at battlefields were exhibited. The central motive of this presentation was to document the so-called lived history, in this case the combat operation of the regiment and its activities in the background. At the same time, the authors wanted to emphasize the unity and symbiosis of the regiment and the local (Hungarian) society. In 1918, a catalogue was published from the exhibition, in Hungarian language. The catalogue was printed in the Filip Machold Printing Works in Banská Bystrica, on a relatively low quality “war” paper. The pages of the brochure were numbered, starting with a preface. At the time, the catalogue is archived in the Central Slovakia Museum in Banská Bystrica.
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